The (Almost) Daily News

On (Work) Vacation...

2012-01-21T14:07:00.000-06:00

How 'bout that...the first month of the new year is just about complete. Time sees to go by faster and faster the older and busier you become. But, don't let that stop you.

Thought I'd take this opportunity to say a few things before I disappear for a little while. First of all, THANK YOU EVERYONE who has been a part of or has had some kind of influence/impact on my 'little studio that could.' I know I've said it before, but I can't say 'thanks' enough to those who have brought me to where I am now. My insufficient gratitude will never equal the blessing I feel to make a living as an artist. Those who are and have always been in my corner, you know who you are...

Secondly, 2012 started in high gear. In all honesty, I'm busier now at the start of a new year than I have been since becoming a working artist with a day job or not. I not only see it as a sign of progress, but there is definitely a sense that the economy and perhaps, prosperity is on the mend. There is certainly something in the air that feels good, and for that I'm happy and confident that things will continue to grow for the better.

I'm finding myself becoming more and more ambitious with my art, design and creativity abilities, as well as those other mediums I've always been interested in working with, such as film and sound. I have some interesting tools at my disposal, currently, and I'm anxious to see what I can do with these things. So, with that said, my web presence is going to decrease for a bit, until I can either A) afford a web person to handle all of the studio's internet stuff, or B) find the time to do it myself and still get some decent sleep every week. Since neither is an option at the moment, the studio's social media pages, blogs, etc. will be quiet for a while. Call it a mid-season hiatus or a working vacation. I'll still pop in on occasion and see what's going on in the world, but there won't be much in the way of bountiful information I'll be sharing for a while. However, I can say to be on the look-out soon for info regarding upcoming art exhibits and such. There is a lot of goodies in the works right now, stuff I'm excited to share soon.

Again, thank you everyone who has been such a great supporter of my art and the studio these last few years, and to everyone who has been there from the beginning. It certainly means a lot to have so many great people behind me and my work.

The lights will be dimming down, but they won't be turning off...

New Adventures in Screen Printing...

2012-01-09T19:20:00.001-06:00

Good riddance to 2011!

Ok, well let's be really honest here...2011 was ok. Wasn't the greatest year, wasn't the worst year. It could have been better. Regardless, it was a great year for artistic experimentation, creativity and progress on my end.

One of the last interesting projects of the year was designing and screen printing my friend Bryan and Claire's Ketubah, a special marriage contract between a Jewish bride and groom, outlining the responsibilities and promises to each other in their marriage.

I was pretty nervous designing and printing something so sacred and special for two people, not to mention close friends, as there is always that additional pressure not to screw things up. Thankfully, I did not, and made delivery just in time...the day before the wedding. But hey, the wedding party knew I'd get it done in time.

The only thing I wasn't able to design myself was the text in both English and Hebrew, as I don't know how to read or write Hebrew. The English text was written by the bride and groom, then translated to Hebrew by another party. Thanks goodness for Photoshop, otherwise it would have ben a real challenge to set up all of the type. (Speaking of, I bet this would look great as a letterpress print.)

My favorite parts of the Ketubah, aside from the choice of colors, is the yellow dots representing fire flies hovering around the tree and soil. Without using an under base of white ink, I hit the yellow spots about six times with process yellow ink to really make them pop (see below.) I also love the "I Am My Beloved's and My Beloved Is Mine," line, in both English and Hebrew, just below the space where the rabbi, bride, groom and witnesses sign.

This beauty is truly one of a kind for some special friends, and I'm happy to have been a part of something this special. My friends Bryan and Claire are two people who definitely and obviously love each other, and their Ketubah is now proudly displayed in their home for all to see, in a swell silver ornate frame.

The Ketubah measures 18" x 24", printed in three colors (white, process yellow and custom hand mixed blue) on French Blu Raspberry Pop-Tone 100lb cover stock. Just to be on the safe side I ended up printing six copies just to make sure I had one copy that was usable. The remaining copies will be tucked neatly away in the archives for future reference. (In case anyone is wondering I guess I am now in the Ketubah business. Apparently, not many people make these things. Just one more nifty thing to add to the list of services.)

Though 2012 is just barely underway the year is turning out to be fantastic. The project list is already filling up with commission paintings and more gig posters. The band The Polyphonic Spree has been keeping me quite busy over the last few weeks with poster designs, and from the looks of things the following weeks will look more of the same. They've been quite a thrill to do work for.

And on a side note...the studio will be relocating to a new address the middle of February. With all that's left to do work wise I have no idea where I'll find the time to pack. Needless to say, if you don't see any news posted to the blog for a while it means there is work being done!

Hope the new year is starting out swell for you. Keep creating!

Goodbye 2011...

2011-12-31T15:42:00.001-06:00

I'll be honest. I really dislike 'end-of-the-year' top ten lists and 'best of' reviews, especially when news and media outlets start posting them weeks before Christmas. Don't they realize the year doesn't officially end until after December 31st? Guess not.

Thankfully, this isn't one of those 'best of' lists, but more so a reflection on the year that was 2011 for Napkin Art Studios.

It was an exciting and magnificent year on the whole. Despite the scary moments of a depressed economy and crappy job market, there were still many things that brought bright spots here and there, not to mention many 'firsts' that made the year special.

For starters, my "We Are Modern" exhibit was such a thrill to plan, produce and exhibit this year. I feel the paintings from the series were (and remain) my best to date, and it showed through the attendance of the exhibit, sales of the original work, as well as the opportunity to publish my first book collecting images from the series. It's always been a dream to self-publish a book of any kind, and I'm extremely thankful for the opportunity to do so. (In fact, I now have the 'self-publishing books bug', which means I have at least two more books planned for a 2012 release.)

Another first I had the pleasure to experience was my first official 'gig poster' job, courtesy of The Old 97's. I was able to design and screen print three posters for their Spring and Summer tours, as well as a one-off gig with the band Those Darlins that helped me survive a dreadful Dallas Summer. Since then, I've been fortunate enough to have done some other awesome gig poster work for the likes of the Carolina Chocolate Drops, Ray Manzarek (of The Doors), Austin-based blues artist Ian Moore, and Swedish pop/new wave band The Sounds, as well as The Polyphonic Spree, just to name a few. The new year will bring about a few other gig poster opportunities, to which I'm really looking forward to! (Will share those projects soon enough.)

One of the most enjoyable 'firsts' this year was being a part of Etsy Dallas' "4th Annual Jingle Bash" handmade craft show in November. I've never participated in an art/craft show before, so initially I felt a little unprepared. Thankfully though, since it was truly a DIY kind of event, I managed to wing it, and made a pretty good day out of selling original prints, gig posters and a few of my own t-shirt designs. Most of my monetary success was attributed to the sales of my scratched, dented and/or misprinted art prints and posters. It was a valuable lesson in 'another man's trash is another man's treasure.' I'm really looking forward to the 'Spring Bash' in May 2012, to which I hope to be a part ofand have as much success as my experience with 'Jingle Bash.'

Its been a relief to take a break from the art and design for a bit, and focus on my other passion: music. When I have the time I've been keeping a music blog called Classic Waxxx, featuring vintage vinyl of all music genres. Since vinyl records have seen a huge comeback in the recent years, I though it would be great to turn people on to the stuff I really enjoy, especially the kinds of music you can't find to download. Unfortunately, I don't get to write for my blog every week as I'd like, but I'm hoping in 2012 I'll make more time for it. Additionally, I also break up the music reviews for Classic Waxxx with a Tumblr blog featuring photos of vintage vinyl records and album covers, sort of as a visual survey of vintage vinyl from around the world. The goal for both blog pages is to also be able to include audio samples of the music I feature, just as an added perk to my readers and followers. Keep posted for that in the very near future.

Of course, that mentioned above isn't the only highlights of the year, but they are pretty substantial. Over all, I think the biggest thrill was being tapped to be Artistic Director for Arts+Culture Magazine Houston, a new arts magazine in Houston, Texas that was launched in September 2011. My job is to essentially create the layout design for each monthly issue. The job has had its challenges, as any job would, but it's been an exciting and educational experience, so far. As Houston's art market and audience continues to grow so will the magazine, and I'm excited to see how 2012 will unfold.

On a personal note, 2011 also saw the end of my 20s, something I don't look upon as terrifying or catastrophic in any sense. No, I've actually been looking forward to the start of my 30s, since most of my good friends are now in theirs. I've been told they only get better as you go along. So far so good, it seems. I feel as though I've entered into a new phase of adulthood, and surprisingly have a new and sharpened focus on my career and personal life. Though I will always feel like an 18 year old at heart, I like walking around in my own skin and feeling like a successful adult. If the last couple of weeks are any indication of what the next 10 years holds I'm going to be in for a thrilling ride.

I hope everyone out there is looking forward to the new year as I am. I can't quite put my finger on it, but there seems to be something refreshing in the air, lately. Perhaps, there is a new sense of optimism brewing for those who have it tough right now. Maybe more people are counting the blessings they have, and not worrying about what they don't. Whatever it is, I hope this sense continues. Might help bring a great start to 2012 for those who really need and want it.

Thanks, 2011. See you in the history books...

The End is Near...

2011-11-28T22:11:00.001-06:00

It's not an 'end of the world' kind of thing. It's an 'end of 2011' and 'end of my 20s' kind of thing. The last decade was ten years of much learning about myself, the world, what I'm capable of. My 20s have felt like an extended version of my teen years, and now that I approach 30 it's time to be a grown up and hope that one day I'll be taken seriously.

So yes, another year quickly coming to a rapid close. Where did all the time go? It was this time last year I began working on the "We Are Modern" series, a body of work I continue to be proud of and has pushed my talents and ideas into another level. It felt great taking time to really dissect and decipher the work, shuttering any kind of pressure to deliver according to someone else's standards, as I constantly feel tremendous pressure to 'do this' or 'create that' in the midst of such a social media-ridden world.

There are many things I want to do in 2012 (if the world doesn't end before then.) I've already started working on those goals, but you never know what will happen in life. All you can do to be prepared is to be willing to accept what gets thrown your way, good or bad. As John Lennon said, "Life is what happens to you while you're busy making other plans." I should get that saying tattooed somewhere. It's become a mantra. Anyhow, no matter what happens I'm thankful for what I've accomplished so far, thankful for those who have come before me, and for those who have brought me to the point of where I am right now. All I can do is be grateful. And be hopeful. Thank you 2011. You've been a great year, so far.

Jingle Bash 4 Happening Saturday!!!

2011-11-15T20:03:00.000-06:00

So...Etsy Dallas' "Jingle Bash 4" is quickly quickly approaching, and I'm getting a little nervous to be honest. It's the first time for me to represent the studio in an art/craft/trade/what-have-you show and I'm feeling a little unprepared. But, somehow, someway I'll get it all together, even if it's at the 25th hour.

What should you expect to see from Napkin Art Studios this year? Well, it's been quite a year for the studio producing prints and gig posters, so mostly you'll see a healthy assortment of said posters and prints, not to mention some small original works on canvas and other nick-knacks for the art fan in you.

Jingle Bash will essentially serve as a litmus test to see how this trade show business works, so please forgive me in advance if I don't look like I know what I'm doing, haha. (I honestly have no clue...) Rumor has it there will be a bar or three on site in case anyone gets a case of severed nerves, but I'm thinking it won't be as bad as I think. It's the sometimes 'Nervous Nelly' in me.

What else will be on display, you ask? Hrmmm...that is a good question. Essentially, I have three days to scrounge together a few other essentials, since stuff like this always seems to gel at the last minute for me. Napkin Art Studios' booth will be located in the middle of the market hall floor, just a tiny 6' x 8' booth for your art print and poster needs. I thought it would be better to have a small booth with too much stuff than a large booth with not enough. If Jingle Bash ends up being a total bust for the studio, at least I can take mental note for future reference, and see how other people's booths and goods are on display. Until I can grow the print studio end of things, this year's Jingle Bash may just be a nice detour from the regular deadline schedule I've been keeping, lately.

Wish me luck! I'll see everyone again after the show.

Jingle Bash 4 is Coming!!!

2011-11-01T22:26:00.000-05:00

November is finally upon us, which for me means colder weather, giant bowls of chili and Etsy Dallas' 4th Annual Jingle Bash, where Napkin Art Studios is one of the many hand selected vendors participating this year.

Jingle Bash is a hip art and craft show featuring handmade and vintage goodies from swell Dallas vendors, and I'm really amped to be a part of it this year. This'll be my first rodeo, so to speak, but I know it'll be fun and quite enjoyable.

There is still plenty of prep work left to do before November 19th, but as usual I'll get everything complete by the 25th hour. There is the studio's banner to complete, culling through the print archives to see what I'll be bringing, not to mention figuring out to display everything on my table. It'll come together eventually.

The great thing about Jingle Bash this year is the awesome Bash Bags that will be given away to the first 50 people who come through the doors. All of the vendors have pitched in some swell promotional freebies, myself included. Everyone likes to receive free swag, right? I know I do. So, I put together a little swag bag consisting of a high quality vinyl sticker, a 1" 'emo' button and a special coupon to use on the studio's Etsy store. The tag itself is hand silk screened by moi, too.

It was rather enjoyable putting these swag bags together for Jingle Bash. In fact, it has help spur a bit of new creativity for the studio. As soon as Jingle Bash is over I have plans to hole up full time for a few weeks and crank out some new printing projects. I won't say what those projects are just yet, but let's just say I have some big things planned for the holidays and following months.

Since the holiday season is just around the corner, and you start thinking about what to get your friends and loved ones, consider hitting up Jingle Bash for some great gift ideas. Further more, it's also a good time to shop handmade from local artists and craftspeople, no matter where you live. Should you be interested in checking out Jingle Bash 4, click the photo at top for more info.

Keep making art.

Website Updates...

2011-10-09T16:45:00.001-05:00

Sundays are great days to catch up on long overdue website updates, so while it poured down rain for the better part of the afternoon (and did we need it) I finally took a moment to upload new paintings to the site.

Much of the new "Cowboy Movie" series is now online to check out, as well as several paintings I did over the summer that had yet to really be seen. Of course, I still have a bit to go as far as taking photos of work and making edits, but at least there are some new things to check out since the "We Are Modern" work from earlier this year.

As 2011 begins the last quarter of the year, it's interesting to look back at the last nine months and wonder where the time went. However, by this time I'm always looking forward to a much needed break during the holidays, spending time with friends and family I don't get to see very often, and setting my sights on all of the possibilities for the following year. Of course, got to finish one thing before you can start another. October thru December will come and go before you know it. I suppose the older you get the faster time seems to sneak by us. So, today I'm happy to take a little time out of the hectic work schedule and enjoy some down time, as well as updating everyone out there on what's been going on.

Enjoy the glorious weather where ever you may be.

Oh, and before I forget...if you like behind-the-scenes studio action and randomness from time to time, check out and/or follow the studio's Tumblr page!

ABOVE: "A Little More Than What You Bargained For" / Acrylic & Silk Screen Ink on Wood / 32" x 18" / 2011

"Cowboy Movie" Premieres...

2011-10-08T20:20:00.000-05:00

It's been a long, hard and busy road the last couple of months, especially over the last 3-4 weeks, but I'm happy to say "Cowboy Movie" is now showing at McMurry University's Amy Graves Ryan Fine Art Gallery.

This past Spring I was asked by the fine arts department at McMurry to this year's alumni homecoming artist. Coincidentally, I had already made plans to make the collection for "Cowboy Movie" prior to being asked. Turned out to be good timing. Not only was it homecoming in the sense of McMurry, but also a homecoming for me to Abilene, TX, where I spent most of my formative years. All-in-all, it was a nice, but surreal experience. I don't feel as though I'm old enough to be considered an alumnus of the school, or even have an exhibit in such a setting, but I was glad to be asked, none-the-less.

I did enjoy meeting up with some former classmates over the weekend, as well as the gallery talk on Thursday. Apparently, my public speaking skills are better than I gave myself credit for. (It was recorded, so maybe it'll appear on YouTube soon. Will keep you posted.) From what I could tell the exhibit has been received well. I was thankful to get some local press, which brought through a few extra folks. You can read the write-up here.

This is actually only the first installment of "Cowboy Movie", as there are several other pieces intended for the series. Unfortunately, I ran out of time to finish all the paintings I wanted to do for the exhibit, but like most cowboy adventures there is always a continuing story.

Part one of "Cowboy Movie" is on exhibit until November 2, to which everything will ride East for a future second showing (TBD.)

Well, now that this major project is (somewhat) behind me, it's time to get back to all the other design projects and such I had to set aside. I'm glad to enjoy a day or two to chill out and relax for a change. This train may slow down for a spell, but it never comes to a complete stop.

Good Night, And Good Luck...

2011-09-29T16:33:00.001-05:00

Those words were the great closing greeting of journalist Edward R. Murrow's news editorials, bidding television viewers everywhere a pleasant day and hope for a better tomorrow. Today, I take that closing remark with a new sense of view and pride, a greeting that I hope will bring me much comfort in the coming months ahead.

Today marks the end of an interesting chapter in the history of Napkin Art Studios, as the gallery I've been working with in Dallas for the last few years is closing its doors at week's end. It's been an amazing run with The Cameron Gallery (as well as Gallerie d'Arte prior) since I've been a resident of Dallas. The time spent with the gallery has brought me much success, artistically and financially, and has allowed me to explore my creativity and artistic vision on levels I thought I'd never reach. Though, like George Harrison once said, "All Things Must Pass", so I look upon the closing of the gallery not in sadness, but as a new opportunity to explore the depths of my abilities to great new, many levels.

For the first time, this moment leaves me without gallery representation in my hometown, but also leaves me with an interesting challenge. What will become of my studio now that I have absolute creative control over what I make, and how it gets seen? I welcome the challenge with open arms and an open mind. The opportunity also leaves me with several other options on my table, options that will have to be taken into serious consideration. Thankfully, the gallery's closing doesn't put me into any kind of awkward financial situation, but it does make me think about what I want for my future as an artist, and what it will ultimately cost me in the end. When one door closes, another opens...

So now, I'm officially a free agent. But, before I start plotting my next moves I do want to take the opportunity to thank each and every person who has come through The Cameron Gallery in support of me and my artistic endeavors. It's an incredible feeling to wake up and know that everyday is filled with the thing I want to do until the day I die, and that my support system is so great that I'm allowed to create and make a living off my art. I couldn't ask for a better existence in life, and I thank everyone whole-heartedly who has supported me, all from a simple kind word to the collection of my art. I hope each and every one of you will continue to follow along with my career, and be a part of the new heights I will achieve. Of course, I also have to thank the gallery itself and everyone who has been an integral part of its operations. You wonderful ladies and gents know who you are, and I owe you the biggest part of my 'thanks'.

I have some major plans in store for the studio in the coming months, after the dust settles a bit and the holiday season is behind me. Part of the major change will involve a bit of rebranding of the studio, both on the commercial side and the fine art/gallery side. I'm really excited to see how everything will unfold and take shape. In the meantime, good night, and good luck to you all. And thanks again...

"Cowboy Movie" Behind-the-Scenes...

2011-09-21T00:08:00.000-05:00

The home stretch is near as I get closer to wrapping up production on my latest exhibit, "Cowboy Movie." However, with only a handful of days left there is still a lot of wood cutting, painting, silk screen prep and printing, frame assembly and the last minor touches before I can say 'that's a wrap.'

Thought I'd share a few behind-the-scenes photos of how production is coming along. Here on the table I have my 'John Wayne' piece with the background color blocked in. This is the stage the painting must be in before I silk screen in the image. As you can see there is quite a bit of paint on the table, along with various other tools used to create my paintings.

At the right is the the vellum for the 'John Wayne' painting. The final painting, painted and silk screened completely on wood, will measure 24" x 24" x 2.5". Even the edges of the paintings will be painted and printed with various western graphics and text. The painting is looking pretty sharp and very vibrant. It'll be interesting to see how this and the other paintings are received when the exhibit opens. So far, the major players int he cast of portraits are 'John Wayne', of course, as well as Robert Redford, Paul Newman, Johnny Depp, Clint Eastwood, Robert Duvall, James Dean and Sam Elliott, just to name a few.

Of course, 'cowboy' Elvis Presley had to make an appearance, too, which I think may be one of the more popular pieces from the collection. All in all, I plan to have around 15 paintings for this first installment of the exhibition. There is a subsequent showing being planned, where there will be additional portraits on exhibit that won't be a part of the first showing. Frankly, I just ran out of time to paint every cowboy I could think of. Part II of the exhibit will also include a few choice cowgirls in the mix, perhaps bombshell Jane Russell???

Hope everyone isn't sore with me only previewing b/w images of the show. I kind of want to save some of the elements of (color) surprise come opening night. Be rest assured that all of the paintings will make it to the website in full technicolor glory soon. You can take a gander at the studio's facebook page and see some color sneak peek shots.

"Cowboy Movie" debuts at McMurry University on Thursday, October 6th with a gallery talk from noon-1pm. Friday, Oct. 7th will be the opening reception from 5:30-7:30pm, and the exhibit will remain on display through October.

Until then, time to sit back and unwind a bit with a viewing of "The Good, The Bad & The Ugly" for additional inspiration...

More Marilyn...

2011-09-17T00:30:00.000-05:00

My 'Marilyn' paintings seem to still be popular. I finished these three pieces for a new collector a while back, but just now getting around to posting them. Three different poses, each 24" x 24" acrylic and silk screen ink on canvas. These pretty ladies are now hanging in a home in Atlanta. Like most of my commissions, I don't get to enjoy them for long before having to ship them off. But, at least we have photos of our wonderful time together...

One of these days I'll end up making a few Marilyn portraits for myself, but the 'making and selling' arrangement is working out well. It may be time to look for different images though. I like to mix things up and keep it fresh.

In other news..."Cowboy Movie" is starting to shape up nicely. I'm really psyched about the Bob Dylan and Bobby Duvall portraits.

Carolina Chocolate Drops Gig Poster

2011-09-15T00:23:00.000-05:00

I don't know how many times I can say "I love my job." Let me just say that the absolute best perk of printing gig posters for a band or venue is getting into the show for free, especially since I'm a music junky. I'm really looking forward to this Friday's Carolina Chocolate Drops show at Granada Theater in Dallas, and thanks to the promotions department for liking my work enough to continue designing posters for their musical guests.

The image for the poster is from an old family photo I found in a great little vintage shop just outside of Waxahatchie, TX. There was nothing written on the back of the photo as to indicate who the man is, or where the photo was taken. It looks to be from the early 1940s, which fits well with the vibe of the band. Again, the poster serves as another fun exercise in playing with halftones. I also like the color scheme of this one. The poster has a very tiny print run of only 35, signed and numbered, and I'll have just a handful available for purchase after the concert. Until then, enjoy some of the detail pics below.

Latest Commissions

2011-09-14T23:19:00.000-05:00

It's a good time for art production right now. In addition to being in the middle of work for an upcoming art show I'm also squeezing in a few painting commissions here and there, like this beauty to the left, a slightly larger alternate version of my first "We Know What You Are Always Thinking" painting from my "We Are Modern" series. Instead of on wood, this version is on canvas, and measures 28" x 58". The image of Paul Newman and Liz Taylor is also slightly different than that of the original, as well. Below are a few detail shots of the finished work. I wish I could enjoy this one a little while longer, though. It'll be shipping off to a new collector in Nashville early next week.

Also, I finished up another rock n' roll portrait for a longtime collector here in Dallas, this time of a one Don Henley (of The Eagles fame if you have no idea who I'm talking about.) Rumor has it that Mr. Henley frequents my collector's restaurant, so I'm hoping he'll pop in soon and see his portrait hanging in the bar with the rest of some awesome rock royalty.

I'm really happy with how this turned out, even though most of my painting style has moved away from this look. I figured I'd keep in line with the on-going style of the rest of my collector's pieces, though. However, it does feel good to do some hand painting and take a break from the physicality of silk screen printing.

Speaking of paintings, I'll be posting a preview of the upcoming "Cowboy Movie" exhibit the week before its opening. But, before that happens I better get my ass in gear and finish the art for the show. Dude...I need some assistants.

Coming Soon: "Cowboy Movie"

2011-09-06T22:19:00.002-05:00

"Cowboy Movie: Lonesome Portraits of the Hollywood Cowboy" gets an opening date!

With roughly three weeks of production time left for this show I'm finally getting underway (no surprise there, as many people know I do some of my best work under pressure.) So, mark your calendars for Thursday, October 6, 2011 at McMurry University's Amy Graves Ryan Gallery for this year's Homecoming Alumni Art Exhibition. (McMurry University is in Abilene, TX, btw...)

Feels kind of weird to be tapped for the alumni exhibition, considering I've only been out of college since 2004, but in that time it really only feels like months, not years since I was last at McMurry. But, it is an honor, and I hope I can do the show and subject matter justice.

I've pulled all of the images for the featured portraits, and now the pre-production silk screening fun starts. I spend more time prepping art files and silk screens to be burned and printed than I do actually painting. But hey, it's all in good fun.

There will be a 'Brown Bag' gallery talk on Thursday, Oct. 6th from noon-1pm, while the opening reception will take place on Friday, October 7th from 5:30-7:30pm. I'll be talking about the work and the idea behind this collection of new paintings, so if you've ever wanted to find out more about what I do this will be a great opportunity for you.

Not entirely sure how long the exhibit will be on display in Abilene, but I figure it will be up through the entire month of October, and possibly into early November.

In other news...well, there is other stuff going on, but I need to get through this show first. I'll be ready to share the 'other stuff' soonish.

New Posters From The Studio

2011-08-26T18:46:00.001-05:00

Work detail is cooking up now, boy! After a dull summer of almost practically nothing (minus a few poster jobs to get me through the lull) things are kicking into high gear again, now that the fall is right around the corner.

I recently acquired two sweet poster commissions from the historic Texas Theatre in Oak Cliff, TX this past week, my first in what hopes to be a long-standing relationship of poster printing with the venue. If you aren't familiar with the Texas Theatre, it is the place where Dallas Police arrested Lee Harvey Oswald after allegedly assassinating President Kennedy in 1963. The theatre obviously has some historical significance, and despite the controversy, it's nice to see the theatre owners and the community embracing Dallas' checkered place in history.

This week starts their "Italian Summer" event, where they will be showing 35mm prints of Federico Fellini's masterpiece "8 1/2", as well as Sergio Leone's "A Fistful of Dollars" starring none other than cowboy bad ass himself, Clint Eastwood.

I'm pretty stoked about these posters, especially since these are two of some of my favorite films. I grew up loving Eastwood's 'Spaghetti Westerns', so creating something that is akin to the film's history is a big coup for me.

The "8 1/2" poster is a two color silk screen print (Process Cyan and Red) on bright white Finch 100lb cover stock, and measures 20.5" x 14" over all. The 'A Fistful of Dollars' poster is the same size on the same paper stock, but four colors (black, hand mixed yellow, olive and transparent orange.)

The "8 1/2" poster is currently available at the Texas Theatre for purchase, though get one quick because I have a feeling they will sell out! The "A Fistful of Dollars" poster will be available by middle-late next week, and begins screening for a limited amount of time beginning September 1st. there are also some other really bitchin' films and special events coming to the Texas Theatre soon, so be sure to check out their website for additional info.

In addition to work for Texas Theatre I've been commissioned to do some new posters for the Granada Theater, one of THE BEST live music venues in all of Dallas. I recently was commissioned to do the Ian Moore Band reunion show poster and attend the show, which blew me away (an awesome perk to doing gig posters.) Next up is a poster for the Carolina Chocolate Drops, a poster for Neon Indian and The Rapture, and printing a poster for the Manzarek-Rogers Band Halloween Party show happening October 29th! I'm really psyched about printing that poster, as it'll glow-in-the-dark.

Some really great things happening on the print end of the studio. Hope the pace keeps up, or rather...I keep up with the pace! Of course, there are also some other great things brewing, which I will share in due time.

It's The Most Wonderful Time of the Year...

2011-08-17T19:13:00.001-05:00

'Summer's almost gone', like The Doors song suggests, which means it's about to be the busiest time of the year for Napkin Art Studios.

Earlier this week I received notification that I was selected as one of the many vendors for Etsy Dallas' "4th Annual Jingle Bash" happening November 19th. I'm thrilled for several reasons, as this is my first year to be a part of Etsy Dallas, not to mention this will be the first ever art and craft show to participate in. I'm excited and nervous at the same time! There is a lot to do in preparation for the event, like making promo stuff for goodie bags, finishing up designs to make prints, ordering and printing tees, as well as figuring out how to make it all work in a cohesive display. I'd like to make this a success as I hope to do more of this kind of thing in the future.

Before all of that goes down work for my upcoming "Cowboy Movie" art exhibit needs to get underway, which will more than likely happen starting next week, after I finish up another painting commission. I still have yet to figure out how many paintings to do for the show, and the portraits to paint, but it'll all come together soon. "Cowboy Movie" opens the first or second week of October.

Right off the heels of "Cowboy Movie" I'll also be working on new work for a group show that was booked today, as a matter of fact. The as-of-yet-titled three man show will open on Saturday, November 12th at Gallery Bomb, Dallas' newest hip gallery in historic Oak Cliff. I'm sure I'll be burning the candle at three ends again come November, but I'm no stranger to stress, intense deadlines and severe lack of sleep. I think it's in my genetic code.

Life may or may not get back to normal after 'Jingle Bash' happens, as the holidays will be right around the corner. Usually, I'll have a a few holiday painting commissions to tackle right up to Christmas, but we'll see. I may actually have some down time to enjoy the holiday season (or perhaps I may have just jinxed myself in saying so...)

Anyhow, aside from all of the scheduled awesomeness currently on the calendar, It's really exciting to see how much the silk screen side of the studio's business has grown this year. There are several more print projects on the books over the next few weeks, and as more business comes in I'm definitely seeing the need to expand, not only in swell art/print offerings, but in space too. Before too long the workload will be too much for just me to handle. The goal (which is currently being worked on, too) is to set-up a separate brick-and-mortar studio/gallery (more on that later!)

Be sure to mark your calendars for Saturday, November 19th for the "4th Annual Jingle Bash" from 1-8pm. The first 50 people through the door will receive promotional goodie bags filled with stuff from all of the participating vendors, which have been mega-popular in the past. I plan on doing something really special for it this year. (Click on the flyer above for more details on this year's 'Jingle Bash'!)

More studio and art news coming soon!

Dressing Up the Bottle...

2011-08-12T22:48:00.000-05:00

About a month ago I worked on a special project for a friend of mine's birthday gift, something that would be unique and keep the creative juices flowing, as it were.

My friend really loves Hendrick's Gin from Scotland, and I can see why. The small batch gin is infused with rose petals and cucumber, which makes for quite a unique flavor. I've never been that much of a gin fan, after a bad experience with a dirty gin martini a few years back, but thanks to Hendrick's my opinions on gin have changed substantially.

Instead of simply giving my friend a bottle of gin for her birthday I decided to go a couple of steps further to make it uniquely special. First, after purchasing a bottle of Hendrick's I tracked down a simple recipe to infuse additional cucumber into the gin, even though there is subtle hints of cucumber already. This recipe called for a dramatic increase in cucumber awesomeness. After four days of infusing the gin in a cool, dark room, I re-bottled the gin into its original bottle. Luckily, there was just a little gin left over to sample, and wow...was it delish. (Frankly, my friend almost didn't receive her birthday gift it tasted that good!)

Lastly, I removed the standard tag that came with the bottle in lieu of my own; a hand screen printed tag in black ink on French Speckletone cover stock (some of my absolute favorite paper.) The front of the tag was personalized with my friend's name while the back indicates the date of infusion and bottling. Of course, I added a nice little hand written note on the inside of the tag, as well. To finish up the tag and round out the rest of the gift I punched a small hole in the corner of the tag and used some twine to affix it to the neck. The complete package, I think, came together very nicely, and thankfully my friend really enjoyed her gift. In fact, the special infusion can be enjoyed for up to six months, so I'm sure she is still enjoying it as I write this.

After working on this project I now have the hankering to further experiment infusing alcohols with other fruits and savory flavors. Having the chance to work on some label/packaging design just makes the idea of doing more projects like this that much more appealing.

Should you want to try making your own cucumber infused gin, check out this recipe here. It really does make a fun and unique gift.

New Tee Pre-Order

2011-08-09T10:51:00.000-05:00

Kids say the darnedest things...

So, my five year old goddaughter had informed me that she wanted me to screen print her a t-shirt for her birthday, but not just any t-shirt. No...she wanted a 'flying pony with lasers shooting out of his eyes.' Seriously. She said this. Obviously, this was a slick idea, so I delivered the goods. The design you see on your left is what I printed on her shirt (that's not my goddaughter pictured, btw.)

After sharing a picture of her final shirt on facebook I quickly had people telling me they wanted one. Could it be a had a local hit on my hands? I mean, after all the 'Mobil Oil Pegasus' is a special icon in the city of Dallas. Maybe with lasers coming out of its eye it's even more special!?!

The tee is currently available in two V-neck tee styles: black with white printing and white with red printing on super-soft vintage-feel cotton, because we don't skimp out on quality here! Tees are also available for women in S-XL, and for the boys in S-2XL. All of my tees are hand printed with durable, eco-friendly water-based inks.

I'll be taking pre-orders on this tee for the next few days through my Etsy shop (until I can figure out a better method on taking pre-orders.) Tees will run you $25 each (plus shipping) and will ship out by the end of August at the earliest. When ordering, simply state which color tee you want, as well as shirt size. (For the ladies I'm able to acquire tanks, if you prefer one of those instead of a V-neck tee. Be sure to indicate your preference in the customer notes during checkout.)

Napkin Art Studios' t-shirt line "Deathray of Sunshine" is getting its full-on revamp and rebirth (finally) this fall. I've been sitting on several tee designs over the last few months and I'm ready to share them with the world. As usual, all of my tees are hand printed and in limited edition quantities, exclusively through Napkin Art Studios! Below is an example of the styles available for this awesome 'Laser Pony' tee (click on image for a larger view.)

I owe my goddaughter mad props for asking me to make this shirt for her. I may just have to ask her to be my creative director for t-shirt designs if she keeps hitting ideas like this one of of the park, haha! Hope everyone enjoys this tee as much as I do. Look for more swell stuff coming at you soon.

Here Are The Megalomaniacs...

2011-08-03T22:13:00.000-05:00

It's a project I'm happy to finally be able to share with the masses!

My buddy Jeremy Megert and his band The Megalomaniacs had commissioned me a while back to create the album art for their new CD, "Bohemian Grove." I was definitely up for the challenge, as it would be one more album cover to add to the resume, plus bringing me one step closer to being a small part of music history.

I love jobs where I have total creative freedom, and I'm thankful for my friends trusting me enough to do a bang-up job.

"Bohemian Grove" is a groovy little 7-track EP of original compositions by the band, ranging from bitchin' blues to new and exciting approaches on the rock ballad. I got to hear all of the new stuff played live during the album release party last weekend, and I was thoroughly impressed. The lads were kind enough to sign my album after the show, as well.

The CD is available now directly from the band (check out their Facebook page here) and through iTunes. I'm hoping to talk them into a future vinyl pressing of the album, too. Thank you very much guys, for having me put a 'face' to the music you spent lots of blood, sweat and tears creating.

New Print Release: "Marionette Betty"

2011-07-30T16:59:00.000-05:00

The Summer might be scorching and bringing life outside to a molasses pace, which I've been completely guilty of the last few weeks. However, the pace in the studio is picking up again and lots o' activity is a-brewing.

New from the studio are my "Marionette Betty" silk screen prints, one version in red and yellow, the other in shimmery gold and teal. Over all, each print measures 20.5" x 14" printed on bright white Finch 100lb cover stock. (I really dig this paper. Has a nice weight to it, and absorbs my water-based acrylics pretty darn well.)

The design initially started out as work for a gig poster job I recently had, but as some things happen during the design process, the design eventually didn't work at all as a gig poster. So, I figured I'd print the design anyway and use it for my own benefit. And here we are. I always love the color combo of red/yellow/black, as is evident with many of my prints and paintings. However, I liked the idea of a companion piece for the print, so I printed a different color-way in gold, teal and black.

Both prints come signed and numbered, though the red and yellow edition is limited to 30 copies while the gold and teal version is limited to 15. (Frankly, I'll admit I don't like printing metallic inks that much right now, as I find them difficult to print. Most of the time, the ink will dry quickly in the screen mesh, so I'm always having to work harder to print with metallic inks, forcing the ink through those tiny little mesh holes. Aside from that, the final result still looks sharp. It also explains why there is only 15 copies of the teal and gold version, haha.) Should you be inclined to pick up one or both of these new tasty prints they are now available on my Etsy webstore.

This coming week, which also starts the last month of Summer (finally), I'll be working on making a few other prints that have been in the design queue for some time. It's time the work gets 'out there' and seen, plus I'm secretly stock-piling work for the upcoming holiday season. I've got my eye on Etsy Dallas' 4th Annual Jingle Bash in November! Be on the lookout for new color-ways of my "Shutter & Shiver" flower/camera print along with a few other treats.

There is more news to share this week. Stay tuned...

Rock N' Roll Hoochie Coo...

2011-07-16T18:47:00.000-05:00

It's been another busy week in the studio for gig posters. Just finished and delivered this latest poster design for Austin, TX based Ian Moore Band, who will be playing at the Granada Theater in Dallas on August 19, 2011.

After responding to a 'call-for-artists' post on Twitter from the venue a few weeks back I managed to land this poster commission. The band's management approved my design proof and, voila! The poster consists of three colors, however I ended up using four screens total to produce it. The magenta color had two parts, where the bottom image faintly shows through the top magenta layer, as well as the blue layer.

I love how the poster turned out. I approached this poster to look like a hybrid of a letterpress poster with all the overlay graphics, the and 'grunge' of a messy overprinted punk poster.

The poster has already received some swell feedback by the promotions guys at Granada, and I think I've managed to land another awesome poster gig from them coming in October. Don't want to spill the beans just yet, but I'm at least happy to see that more poster work is coming my way. You can bet I'll share more poster info as it comes in.

In other 'rawk' news, I'm happy to finally be able to share pics of the drum head and logo I designed for my buddy Jeremy Megert and his band The Megalomaniacs. The bass drum gets the full public unveiling at the end of this month when The Megalomaniacs play the release party for their upcoming EP, "Bohemian Grove", which I also designed the disk graphics and album packaging for (will blog later about it.)

The logo was really fun to design. Almost has sort of a 'Sgt. Pepper' feel to it, especially with it now on the bass drum head. Like the 45 adapter adorning the top of the crown? Yeah...the crown jewel of the entire piece.

Obviously, in addition to the poster work I'm enjoying the other music related design work that has been coming my way. Never designed for a drum head before, nor for a full album, so this is pretty thrilling, even more so when the designs become tangible things to share.

There are lots of interesting vibes happening in and around my city right now, and I'm excited to see what comes of it. I've been making some incredible contacts within this last year of running the studio full time, and my portfolio seems to be catching some attention. I'm crossing my fingers and saying some prayers that the workload continues in my favor.

I have some great things in store for my little one-man studio for the near future, some things I've been wanting to do for some time now, and the ball is rolling. Looking forward to drop those details when they become ready to share with everyone. Let's just say I bored with the status quo of things, and I'm not willing to join anyone's club. I'm ready to make my own club and play by my own rules.

Anyhow, this brutal summer is halfway over with. I'm more than ready for cooler temps. Who's with me?

Drum head photos courtesy of Jeremy Megert.

Feeling Lucky...

2011-07-11T13:08:00.000-05:00

It's nice to have a moment to sit down and write about what's been happening in the studio lately. There's been some over-whelming work going down in this one-man arsenal of mine.

I've had the pleasure to get to work with the band Old 97's over the last few months, designing and hand screen printing gig posters for their last three tours. Printing tour posters is something I've been wanting to do for a while now, being the rabid music fan that I am. It's nice to finally get my foot in the door of that arena, and I hope to be able to do more in the future. Actually, I'm printing another poster this week for the Ian Moore Band, a stellar blues band from Austin, TX. Will blog more about that later.

While I've had the pleasure of screen printing posters I'm also working on a few other screen printing projects to add some weight to the future of the studio. I've started the process of stock-piling paintings, prints and other neat art ephemera, so when it comes time to open the studio/boutique/gallery I'll be ready. Yes...I'm definitely working on establishing my own brick-and-mortar studio boutique, something I feel very strongly about. More on that later, too.

Over the weekend I debuted some new paintings during the "No Trespassing" group exhibit at The Cameron Gallery, most of which were executed at the last minute (but don't tell anyone.) Actually, I think I do some of my best work last minute. It's one of those instinctual things that happen well for me. A handful of my paintings were tributes to artist Ray Johnson, my favorite artist who used the Lucky Strike logo in his work, pre-dating pop art. For some reason, his name just kept popping up in my head, so I included him in the work. Turned out fun. Additionally, I experimented with doing some art on the back side of the canvas, as well, something I've never really heard any other artist do. It's kind of like a fortune cookie, in a way; the message tucked away on the inside of the cookie. In this case, there is something hidden behind the painting.

I painted two of these 12" x 16" tributes on canvas, both having their own thing screen printed on the back. I've decided to make this my regular 'signature' to my work from now on. I think it'll pique curiosities about what lies behind my canvases. I want to make the back side of the painting just as interesting as the front, so that you'll have to physically remove the painting from the wall or frame to see the 'hidden message'.

The opening was a moderate success, I think, as there were many people to come out to see the group exhibit. I hope there will be more patrons come through the gallery this summer to see what is on display, perhaps make a few art sales, too.

There are a few other things to talk about, but I'll save those for other blog posts this week. I realize yours and my attention spans may be severely shot as we just try to get through the brutal summer heat, so I'll wrap this post up...

Time to relax for a few days, get my messy studio back in order, and look forward to some new and continuing projects. Have a great week, everyone!

A Change Is Gonna Come (or else...)

2011-06-25T15:44:00.000-05:00

Summer has officially started, which means several things for me and this little ol' studio of mine. First, it's as hot as Hades (or hell, which ever you prefer) and productivity is slowing to a crawl. Secondly, Eddie Cochran was right: there ain't no cure for the summertime blues. Perhaps I can refer back to the previous statement in saying the Texas heat sucks the life force out of me, and all I want to do is sleep. However, that is not really in the cards for me right now. This train needs to keep rolling at a steady pace as long and as far as it can go.

Just so I don't get sucked into the summer doldrums there are several new projects in the works to keep my mind sharp and eyes focused. Two upcoming exhibits are in the works as I speak, the first opening July 9th at The Cameron Gallery. "No Trespassing" is a group show consisting of myself, photographer Hal Samples and painter Kevin Fougerousse, which looks to be an interesting and eclectic mix of work. To the left is a study (which can be purchased as a print here) of one of the paintings I'll have on display, entitled "My Bonnie", which is a still of actress Faye Dunaway from the film "Bonnie & Clyde". There will be a total of around 5-6 new paintings for this show.

Coming in October is my solo exhibition "Cowboy Movie: Lonesome Portraits of the Hollywood Cowboy" opening at the Amy Graves Ryan Fine Arts Center during McMurry University's 2011 Homecoming. That show is currently in pre-production, and I'll start working on the actual paintings within the next few weeks. As an alum of McMurry University I've been asked to be the featured homecoming artist this year, which I'll admit I'm kind of excited about.

On the business side of things I've begun to focus much of my attention to finding additional gallery representation. If my latest "We Are Modern" exhibit proved anything to me, it is that I feel much more confident in my creative abilities and opportunities in further making a living as a full time artist. It's now time I really start seeing what I'm capable of doing outside of my home base.

As much as I've appreciated Dallas, its patrons and opportunities, I've come to the realization that I can't solely depend its art market for survival. It's a great town to make art in, while it is centrally located, but it's not enough to subdue my appetite. Sometimes ambition takes hold and you have to follow.

Additionally, I feel quite strongly about having some sort of gallery of my own, though I'm not sure where I should establish such an experiment. After thinking long and hard on the idea, I've decided Dallas is not where I will have gallery space. I'll just have to keep my eyes peeled for the perfect brick-and-mortar venue. In the meantime, my alternative is to continue building up my online presence and what I have to offer with my art. My goal is to still produce and offer works that resonate with everyone's price point, as long as I can continue doing things my way.

Anyhow, as long as the oppressive summer heat doesn't distract me any more than it already has, time should fly on by and keep me productive as ever. However, the fall months can't get here any faster.

Before I sign off, I have some awesome Art-O-Mat news...if you live in the Houston, TX area, check out this news clip about an Art-O-Mat machine in Houston's newest and hottest Whole Foods market. If you look really close, you'll see my work is represented proudly in the machine. And speaking of Whole Foods, if you live in the Dallas area be sure to call up the Whole Foods on Park Lane and demand they carry my Art-O-Mat art-o-works. Represent the locals, folks! Alternatively, if you don't have an Art-O-Mat machine near you, contact the awesome folks at Art-O-Mat and see about purchasing art directly from them. It's a great and fantastic way to collect original art!

Until next time...

New Art-O-Mat Work for June 2011

2011-06-21T22:43:00.000-05:00

Good News! New Art-O-Mat art-o-works (as I like to call 'em) will again be arriving to a machine near you!

Just finished another batch of 50 pieces that was shipped off yesterday, making this my second full batch for 2011. I have a feeling that at least 2-3 more batches will be complete before the year is over.

Of course, what you see on the left is not the full batch of work. These are merely just a few of the stand-out pieces that really caught my attention. It's becoming more and more fun churning these babies out, and with each new finished batch I feel like the little 'masterpieces' are becoming more and more interesting.

I have no pre-conceived notion of what each piece will look like. In fact, the graphics used all depend on what silk screens I happen to have laying around at the time. Here are just a few up-close samples to feast your wandering eyes upon. For a list of available machines, check out Art-O-Mat's website. And if you can't find my work in your local machine, ask the host you'd like for them to carry it!

Would love to know where these little guys end up! Send me a pic of you and your Art-O-Mat art-o-work to napkinartstudios[at]gmail[dot]com and I'll post it on the blog!

New Print: The Amazing X-Ray!

2011-06-15T22:40:00.000-05:00

It's been quiet lately in the studio the last few weeks, as I've been taking it easy and enjoying a much needed mental and physical break. But, all that has changes since the start of this week, and I've been working it in high gear.

Was hoping to release this latest print last week, but as I was still needing a few extra days of R&R, it obviously didn't get printed. I managed to get the entire four color print completed today, and is now officially available for your consumption.

I'm hoping this will be the first in many new prints that will be released soon. I've been making plans over the last few days to crank the non-painting production up a notch or two, as I'd like to explore all that I'm physically capable of doing with the screen printing end of the studio's operations. This will also include (finally) revamping the clothing line that has been on a bit of a hiatus, as well as working on a few other choice projects that I'm excited to start.

Detail of colors one and two.

But enough about that, included here are a few process pics from today's print job I'd thought I'd share. I always find it interesting to see the makings of any silk screened print, whether it is mine or someone else's.

"The Amazing X-Ray!" is a four colored hand pulled print on Finch bright white 100lb cover stock, measuring 14" x 20.5" over all. Each print is signed, numbered and stamped on the back with the studio seal o' approval, and is limited to only 35 copies. I like to keep my numbers low unless for a commissioned gig poster.

Detail with color three.

I really enjoyed working on this print. It's one that has been in the queue for several weeks now, as well as a few other print ideas floating around in my head. And after combing through my print archives it looks as though I'm starting to build up a bit of a back stock, which will come in handy closer to the holidays. Etsy Dallas' "Jingle Bash" is happening in November, and I'm hoping to be a chosen vendor for the event. However, I better get cracking on all these projects this summer if I'm going to be ready. Of course, that is on top of two new art exhibits I'm committed to, as well. Worried? Me? Not on your life...

Some of the elements in this latest print look interesting enough to do another run without the black ink on top. And coincidentally, the red and black separations look great on their own, so this print may spin-off a few other variations.

If you dig the print as is, it is now available in my studio's Etsy shop for a mere 25 smackers. All of my prints are made with severe amounts of love and care, so should you want to acquire this, or any of my other prints or original works, you shall not be disappointed!

Well, time to clean up the studio before calling it a day. Look for more hand printed goodies to hit the Napkin Art Studios Etsy shop really really soon. I'm getting in the creative groove again, so I don't want to stop this momentum of productivity.

Rock n' Roll, everyone!

John Henry: My 'Hero of Folk'...

2011-06-03T17:54:00.001-05:00

Ever so often I get a chance to purchase art for my own enjoyment and personal art collection, whether it be a painting, print or sculpture. Unlike most art buyers, I buy work because I love it, and because it resonates with me on a personal level. In fact, if the art I buy (and love) doesn't match my throw pillows or the thread color of my monogramed bath towels, the better. (Actually, I don't own either, but you get my point.)

The beauty of social media like Tumblr and Twitter, even Facebook is that something eventually will immediately grabs your attention for further inspection. I have to thank the fine folks at Country And Western's Tumblr page for turning me onto the awesome 'Heroes of Folk' print series by Scotty Reifsnyder of See Scotty Design & Illustration.

One of my favorite Pete Seeger/Woody Guthrie tunes of the Dust Bowl era is about the steel-driving man John Henry, who raced a steam engine to see who could drive in railroad spikes the fastest. So, when I saw Reifsnyder's "John Henry" print, and became 'giddy' like a school girl, I absolutely had to have one. It's such an intricately designed print with massive amounts of detail, with a design that makes me wish more of this kind of work was featured in the mainstream.

The look and feel of the red, blue and black ink used for the print makes this look as though this was a prized design from a half century ago. I have to give kudos to Two Paper Dolls print studio for the fine printing job they did for See Scotty. The 6" x 8" print packs a whole lot of visual wallop that is forcing me to definitely collect the other prints in the series, like Annie Oakley, Paul Bunyan, Johnny Appleseed, Rosie the Riveter, and the Mighty Casey (at bat.)

This "Heroes of Folk" series is the first time I've seen a two-sided letterpress print before, other than a crafty business card, so I'm not quite sure how to frame this clever and eye-catching work of art. I may just have to acquire a second copy just to show off the back side. Who knew letterpress printing could be this detailed and exquisite? Certainly, this combo is a match made in art heaven.

Each print in the "Heroes of Folk" series is limited to 150 signed and numbered copies, printed on a white heavy card stock. Whether you are a literary fan, looking for decorating ideas for a kid's bedroom, or simply love great and playful design look into collecting a few, if not all of Scotty's prints. The design and print work must be seen in person to truly be admired!

While you are trying to decide which print you should purchase first, poke around and check out more of See Scotty's design work, especially the animated Johnny Cash video that makes the need for music videos on cable television relevant again.

I'm looking forward to seeing what new series See Scotty comes up with next, as I'll be keeping my eyes peeled to this uber-talented designer. It's artists like this that makes me happy to collect and cherish their work for decades to come. Can't wait for the day to arrive when I can stage an exhibition from the permanent collection of Jonathon Kimbrell.

(Photos courtesy of See Scotty Design & Illustration.)

"No Trespassing" Opening July 9th at The Cameron Gallery

2011-06-01T20:33:00.000-05:00

Looking back on the last few months "We Are Modern" was such a great show to start 2011 with, but as George Harrison once said "All things must pass."

I feel as though I'm reaching a new creative stride artistically and I'm happy to be able to continue to capitalize on this momentum a bit with a new group show entitled "No Trespassing", featuring myself as well as photographer Hal Samples and painter Kevin Fougerousse, debuting at The Cameron Gallery on Saturday, July 9th.

I'll be working on about a half dozen new paintings for this exhibit, continuing with a few more larger works on canvas and possibly wood. There were a few ideas I wished to explore during "We Are Modern" that I didn't get a chance to, so you may see some of those manifestations in this upcoming exhibit.

As you can see by the monochromatic picture in the middle of the advert I do plan on creating at least one self-portrait for the archives, something I don't often normally do. "No Trespassing" sort of serves as the idea about not always being emotionally available to everyone every time. I look at this self-portrait image as my 'inner Lou Reed'; dark behind the glasses and not always wanting to be read. Oftentimes, I'm very approachable (however, told otherwise) yet there are moments when it's better not to come over to this side of the fence.

Anyhow, I look forward to seeing how the exhibit comes together, and look forward to many more new and familiar faces attending opening night.

---End Transmission---

Records Make The World Go Round...

2011-06-01T20:12:00.000-05:00

Over the years I've made it quite evident just how important music plays a role in my work and in my life. With each passing year the passion grows and grows, almost to the point where it's the only thing I care to talk about. I've only met one or two other people in my life who understand this fact, where food will be passed over for the chance at owning a new record that will last longer than the owner.

Since late September 2010, I've been doing my best to maintain my side blog project called "Classic Waxxx", a feudal attempt at shining some light on numerous fantastic vinyl records folks may or may not know about; the records I love to death and the ones I get to experience for the very first time. Posts have been a bit sporadic as of late, mostly because of the dedication to my art. However, I try to keep a balance between my two loves.

Summer is right around the corner, and as I drink my cold beer and soda pop in the dead of the daytime Texas heat, I think over some new material to cover for future music posts. I've been considering some of the greatest Summertime-themed rock tunes that have graced the public's ears and have started compiling that list of the songs that are infectiously great, the songs that will stay stuck in my head for days on end. The list has a ways to go, but as my mind gets jogged I look forward to sharing that list soon. There is also a special giveaway I'm planning for that review, so be sure to 'like' the Classic Waxxx facebook page to keep up with latest news, reviews, updates, promotions and contests.

"Classic Waxxx" is shaping up to be a real labor of love when I have the time to dedicate to it. My goal is to have it be so much more than a music review site, or a guide to 'must have vinyl' for those who are new to the vinyl experience. In the future I'd like to see Classic Waxxx become a music education resource, a record label, a record store, and a monument to a music format that has been around for over 100 years. It's great to see more young adults and kids be turned onto vinyl in this digital age. I'd like to see that continue in any way, shape or form I can contribute.

Music has been the greatest gift I've ever been able to receive in my young life, and with Classic Waxxx I hope to pass on some of those blessings and perhaps turn a few people on to some music in the way it was meant to be heard.

As for the music reviews/mini history lessons themselves new Classic Waxxx reviews are usually posted every Tuesday (the day new music is typically released in the USA). I hope you will follow along on this 'hot dusty road' with me. It's been a gas so far...

Next...

2011-05-19T22:48:00.000-05:00

It's always sad to see an exhibition you've put a lot of blood, sweat and tears into finally come to a close, but it's simply the nature of the beast.

I had a really great run with "We Are Modern" over the last few months, from the stirrings of the the original idea up to the the execution of the art and the unveiling to the public, not to mention publishing a book about the show, as well. What a ride. As George Harrison said, "All Things Must Pass" and it's now time to close the lid on "Modern".

As the exhibit has officially drawn to a close there are still many things left to do during the rest of 2011. Thankfully, the work isn't slowing down any. Many design projects are currently on the table, including some new gig poster designs. A second printing of the "We Are Modern" book is in the works, in addition to a photography book collecting some of my Polaroid and iPhone photography. Additionally, there are a few other print projects I've been meaning to tackle so that I may add new art to my Etsy shop. On top of all this, I'm also submitting several portfolios to art galleries for additional gallery representation, although it's like applying for a job. It's never any fun...

A little bit of time off is definitely in order. I've capitalized on a free day here and there, but after these immediate design deadlines have been met it will be back to the beach with me, partially for some R&R and partially to continue work on the photo book. The nice thing about the iPhone is I can take a picture here and there without having to lug around bulky equipment. And with the size of the book that will be published the size of the raw photos is perfect. Late Fall is my target release date, but I'm enjoying taking my time with this. It's definitely becoming a 'for me' project. Above and at right are a couple of photos that might make it into the book. It'll be a fun project to work on over the Summer, as will everything else on the calendar.

October will get here before I know it. The next major solo show," Cowboy Movie", is set to open on Thursday, October 13th at McMurry University's Amy Graves Ryan Gallery. I've been selected as the 2011 Homecoming exhibiting artist, and this is actually the perfect place to debut my collection of Hollywood Cowboy portraits. But, as the date gets closer, I'll drop more details for you all.

From the bottom of my heart I want to thank everyone who came to see my "We Are Modern"exhibit. It was a major personal success for me and I was happy to put 'me' on the line once again. I also again have to thank everyone who have been supportive of me over the years. It sounds corny as always, but without the positive reinforcement from friends, family, fans and collectors it would be difficult to continue pushing forward. You guys are the grease that keeps this machine going.

As usual, keep your eyes peeled for more fun things always happening in the studio. Who knows what irons are currently in the fire?

Shut Up and Release The Damn Book Already!!!

2011-05-10T17:23:00.000-05:00

The excitement is brewing I can assure you!

The proof copy of the book has been floating around to a few people close to the studio and The Cameron Gallery since yesterday, and I've been hearing good things from all corners. I'm as proud of this project as anything else that has come out of my studio in recent years. I only hope this is the beginning of many other book projects such as this.

Well, this is the moment you've all been wating for. Here are the details...The first print edition will be limited to only 50 copies and come with an exclusive and original two-color hand silk screened print by yours truly. The print measures 8" x 9.5" and fits nicely just inside the cover, and is also very suitable for framing. Each print comes individually signed and numbered, too.

If you don't have it marked on your calendar yet, the book officially releases on Friday, May 13th at The Cameron Gallery from 6-9pm. (1414 Dragon Street / Dallas, TX 75226 / 214.747.1414.) Signed copies are available upon request for those wanting to purchase a book and can't attend the release. And not to sound vain, but anyone wanting their copy signed at the show, I'll be happy to scribble my name somewhere for you.

The final price tag for the 66 page book is $75.00, but don't fret. You get some awesome original art to go along with it, and because of the very tiny print run, this publication is a great investment. (I assure you I'll continue to be working hard to make that book extremely valuable in the near future!) The accompanying print (at right) mirrors many of the page designs contained inside.

Several pre-orders have already been made for the book, so act fast! If we happen to sell out of the first print run, there will more than likely be a second printing to follow, but you won't get the cool art with it, sadly.

Anyone interested in pre-ordering the book should contact Laura Keith at The Cameron Gallery at 214.747.1414 or at laura (at) thecamerongallery (dot) com. If you can't make it to the release party we'll be happy to ship your copy to you.

I hope you enjoy the book as much as I've enjoyed putting it together. It was a real labor of love, much like the art for "We Are Modern"ended up being. This first book is as much a real treat for me, and for those who have been nothing but encouraging and supportive of my work these many years, I thank you from the bottom of my being. Without you all this book (and art career) never would have happened.

Book Preview of "We Are Modern"

2011-05-09T18:46:00.000-05:00

The excitement is brewing...

Made a visit to my publisher to review the proof for the forthcoming book today, and I have to say it looks killer! At left is a sneak peek at the front cover; a cloth hardbound binding with a swank cutout window in the center.

During my meeting I also selected a final paper stock for the book, and chose a nice, bright white paper specifically designed for photo prints. I think it'll make all of the images really stand out.

The final page tally will be 66, a surprising figure as I wasn't sure I could fill that many pages with all the content I had on hand. Again, I managed to surprise myself at my abilities to get shit done.

Last on the bill is to finish the handmade silk screen print that will accompany the book, as I wanted to include some original art in with the book itself, sort of as the 'icing on the cake', so to speak. It's my way of saying 'thanks' for investing some of your money into my work, and allow me to carry on with what I absolutely love doing.

I'll be signing copies of the book at The Cameron Gallery on Friday, May 13th from 6-9pm - 1414 Dragon Street, Dallas, TX 75207. It'll also be a great opportunity to check out the remaining work before the exhibit comes down and moves on to new venues.

This entire show has been such a pleasure working on since December 2010. I'm sad to see it come to an end, but I look at what "We Are Modern" became and I know this is only the beginning. Come help be send off "We Are Modern" in style on Friday the 13th!

Btw...for anyone interested in reserving a copy, I'll have pricing info available within the next day or two.

Full Swing...

2011-05-07T18:54:00.000-05:00

It's fun to break out of a usual routine and try something different.

I was recently commissioned to do a portrait of baseball great Stan Musial for a mutual friend's birthday, and was trying to figure out how to approach the painting. I've always been a fan of vintage sports card design, especially the look of the off-set printing technology at that time. I thought it would be interesting to do something similar for the painting, only with acrylics and silk screen ink.

I like the overall look to the 24" x 24" painting. The mock signature toward the bottom right was a fun addition, which I think really brought everything together.

This might be a fun side road to travel along with some new work. I have a long list of favorite baseball players that would make for interesting 'baseball card' type paintings. I've always wanted to do one of Nolan Ryan, and my uncle Martin's favorite, Warren Spahn. Mickey Mantle would be a good one, too. So many choices that this could potentially be a show unto itself sometime in the near future.

Well, there you have it...some new, post "We Are Modern" work to keep the machine still rolling.

"We Are Modern" Drawing to a Close...

2011-05-04T22:39:00.000-05:00

Since I began production on "We Are Modern" at the tail end of 2010, it's been a great experience to see the show go from concept to exhibition, not to mention see my first art book get published in the process. I'm tremendously proud of all the work I've done for the exhibit. It's a relief knowing hard work, extremely long hours and full-on dedication really pays off. The book itself was a huge learning curve, but after some trial-and-error, I know I'll be quite happy with the end result.

It feels a bit surreal knowing I'll have my first (of many) art books on at least one person's book shelf, somewhere in the world. There is a really neat permanence about being published. Your work is out 'there' for the public to see; to pick up a book and see your name and work in print. What's more is that I think being self-published brings about a great sense of joy and accomplishment. It takes a lot of time, energy, patience, love and money to pull off a project such as this. After pouring over every little detail, from layout to type setting, font choice to the photos selected for the book, I hope those searching its pages will enjoy it as much as I did putting it together.

I have to thank several people for helping me get the book off the ground in the first place. First off, I have to thank Stephanie Hastings of A to Zed Photography for taking some great behind-the-scenes shots of me while working in the studio, like the one above. I'm thrilled to have her talents as part of the book. Also, I have to thank friend Lauren Kennedy for talking with me about the exhibit and my inspirations behind my work, and friend Sylvia Wilkins for her kind words and encouragement. Of course, I have to thank The Cameron Gallery owner/director Kristi Cameron for helping me produce the book and all of her hard work and promotion of me over the last few years.

Friday, May 13th will be a stand-out date for Napkin Art Studios, as this will be the book's official launch date. Now, I'm not superstitious, but hopefully the choice of launch date won't affect the sales of the book in a negative way, haha. It has been flattering to receive messages from friends already wanting to reserve a copy.

"We Are Modern" wraps up May 19th, bringing the end to what has probably been my most successful exhibit to date as a young artist. I feel like I've set my own bar a little higher, and now look forward to what comes next.

'What comes next?' you ask? The next show on the books is "Cowboy Movie", a new portrait series of famous Hollywood Cowboys, set to debut in October 2011 at McMurry University, which happens to be my Alma Mater. I've been tapped to be the exhibiting artist during Homecoming, and will also give a lecture/gallery talk about the show, and possibly talk about my career since graduating in 2004. Final details are in the works.

Etsy Dallas Spring Bash 2011...

2011-04-26T23:35:00.000-05:00

It's that time of year again, folks...Etsy Dallas' Third Annual Handmade Spring Bash!

Sadly, I won't be participating this year, but I'm happy to support my new Etsy Dallas friends by helping promote the Bash. Saturday, April 30th should be an exciting time for fans of handmade and DYI. Etsy Dallas is full of some really awesome and talented artists and designers, whom I'm proud to call team mates this year. If any of you guys and gals dig handmade goods, be sure to check the Spring Bash!

Even though I won't be hocking paintings, prints or tees this time around (perhaps during 'Jingle Bash' later this year I will) I'm excited to see all the new goods from Dowdy Studio, Bee Things, Hi Fi Jewelry, Chet Philips Illustration and One Up Designs, just to name a few.

The fun won't stop with just Spring Bash or Jingle Bash I'll have you know. Since I'm part of the Event Squad this year, we are planning a few fun things for people to come out and meet/hang with the Etsy Dallas crew, which you'll have to keep your eyes peeled to the Etsy Dallas site for news, updates and details. One great way to keep up with the happenings of Etsy Dallas is to follow 'em on Twitter and Facebook.

I'm anxious to see what goodies I'll be adding to my growing art collection from the Bash. Perhaps I'll blog next week about what I find...

"We Are Modern" Interview And Book Release Info...

2011-04-25T22:04:00.001-05:00

Well, seems like my latest exhibit, "We Are Modern" has been great success for me. The swell folks at Art This Week, a really great and informative art blog based in Dallas, was kind enough to interview me a couple of weeks ago about the exhibit, which you can see here. It gives the public a little insight to the show, the influences behind some key pieces and where the direction of the work has come from the last few years. (Despite the bulk of the show was created in about four months time, the subject matter and technique had been pieced together and focused from about seven years worth of experimentation.)

My apologies if I sound like a dork on film. It's not often I talk about my work in front of a camera, haha.

And in additional "We Are Modern" news...

The exhibition catalog finally gets a release date of Friday, May 13th during the closing reception at The Cameron Gallery. I'll be spending the bulk of this week editing the last bit of copy and photos in order to deliver the content to the publisher next week. It's a really quick turnaround on this project, but it's coming together nicely, and the icing on the cake for this entire exhibit will look great in print. The picture above is a behind-the-scenes peek of my studio work table during the making of the show. Copies will be available through the gallery during the closing reception and through the studio afterwards.

All in all, the book will total about 50 pages and have a nice, red hardbound cover with a cut-out window in the center, featuring all 13 paintings, detail shots, work-in-progress pics and a long form interview by me talking about the exhibit in detail. The first edition release will (probably) be limited to 100 copies, and will include a special edition, signed and numbered hand silk screened print exclusive only to the book's release.

I have to extend a huge thanks to The Cameron Gallery for helping me produce the book, which will serve as an additional tool to my ever-growing self-promotional arsenal. It's exciting to know this is the first of two books to be released by me this year. Yes...two books! (More details on book two later.)

"We Are Modern" Update...

2011-04-13T22:33:00.000-05:00

There's no question that my latest exhibit, "We Are Modern" is definitely a success. This week has been spent working on a couple of new paintings in addition to what was created prior to the opening reception. The piece to the left is one of the new additions, entitled "We're For The Dark" (Acrylic & Silk Screen Ink on Wood / 23" x 16" / 2011).

I had hell of a time thinking of a title for this one, but settled on "We're For The Dark", a title that shares the same name as one of my favorite Badfinger songs from their "No Dice" album. Painting two is still in the works for this weekend's encore during the Dallas Art Dealers Association Art Walk, otherwise I'd drop a preview of that painting, too. Let's just say that it'll be the first time I've ever painted actress Faye Dunaway...

In other "Modern" news...I met with a publisher yesterday to talk specifics about the book I'm getting together for this exhibit. There is a lot of work to be done between now and press time, but I think the work will be well worth it. It's almost as much work as the paintings themselves, in a very short amount of time, however I'm thankful I won't have to do everything. I can relinquish a little bit of control over this project. Still need to pin down a few collaborators within the next week to start bringing everything together.

Well, the rest of the week is still bearing down on me, but there is definitely more to come soon. Stay tuned, folks!

The Return of Classic Waxxx...

2011-04-08T14:08:00.000-05:00

For those who know me well, you are more than likely aware of my deep love for music and music history, as well as my love for art, and how much I enjoy talking 'shop' with other fellow music fans.

It's been since early January of this year that I last wrote a review for my music blog "Classic Waxxx". Frankly, the latest art exhibit ate up a lot of my time, and I really couldn't spare any for writing. This doesn't mean I wasn't listening to great tunes all the while, though.

I'm happy to say my schedule has cleared up a bit, and I now have time for writing again. Next week will see the triumphant return of "Classic Waxxx" with a bit of a new take on how the blog will appeal to new and current readers.

During the blog's hiatus, I spent some time thinking about what I really want to do with it and who I want to reach out to. It didn't make sense to preach to the (vinyl) converted and to those who already know and cherish the albums I write about. You all know the stories. Instead, I decided to treat the blog as an introduction to the newbies who are looking for great music selections, but don't know where to start. Sometimes walking into a vintage vinyl record shop can be a daunting task, especially when you don't know where to start. Hopefully, "Classic Waxxx" will be a good jumping-off point for those looking to rediscover the awesomeness of vinyl records. Plus, you just never know what cool vinyl your parents or grandparents have stashed in their record cabinets. "Classic Waxxx" will be here to help you sort it all out.

My goal is to still feature albums/singles that are primarily on vinyl only. There is a treasure trove of music from the early to mid 20th century that can only be found on wax. Occasionally, I'll feature some special edition new vinyl releases and re-releases, like the exclusives that are being releases for the 4th Annual Record Store Day. (Oh boy, there are some fantastic goodies coming out this year! Check out your local indie record store on Saturday, April 16th to see what it's all about.)

I think I'll kick off the relaunch of "Classic Waxxx" with a good 'ol Johnny Cash record, say like "All Aboard The Blue Train", which is a compilation album of several Cash singles from the Sun Records catalog featuring trains. Since Spring has sprung, and I'm in the mood to go mobile, I thought it would be a fitting selection. And of course, who doesn't love Johnny Cash?

If you are new to "Classic Waxxx", welcome. Not only am I trying to expose more people to the warmth and appeal of music on vinyl records, the blog also serves as a tool for me to discover more music I might not already be aware of. I think it's a great way to make the musical journey together.

As I like to say, "Classic Waxxx" is like 'porn for your ears'. Look for new posts every Tuesday and be sure to stay tuned for some cool promos I'll be featuring, beginning in May. Who knows, you may just have a chance to win some cool vintage records, t-shirts or other swell merch. Bookmark the link here.

Rock n' roll, everyone!

Napkin Art Studios, Meet New York...

2011-04-05T19:08:00.000-05:00

With all of the "We Are Modern" show stuff going on over the last few months, I almost forgot to mention there is a new gallery in the country to find my work in.

Should you happen to find yourself in New York be sure to check out Cherry Branch Gallery in Cherry Valley, NY, between Syracuse and Albany, Northeast of Cooperstown. It's a hip little gallery space that features a variety of contemporary artists, both local and national. The work ranges from photography to sculpture, original paintings, drawings and prints. It's one of those quaint galleries that you can definitely find something to suit everyone's art tastes.

I hope to make a trip upstate soon to meet gallery director, Kristen Henderson, in person, as it sometimes feels weird to only deal with art galleries via online. (That reminds me...I also need to plan a trip to Chicago to meet with Pop Chicago Gallery owner Michel Balasis. )

At Cherry Branch Gallery you'll find some of my small celebrity portraits, like the "Glimmer Twins" (aka Mick & Keith), 'Marilyn Monroe' and of course, my 'Liz Taylor' paintings...which I will state for the record were completed BEFORE her untimely passing in March. I'm currently working on some larger pieces for the gallery, now that "We Are Modern" has officially opened.

I look forward to doing some great business with the gallery, and hopefully inch my way East into the NYC art market in the near future. I've been told my work suits the gallery and market very well in Cherry Valley. Let's hope that will also translate into some great art sales!

In addition to NY art galleries, I'm also looking into other art markets on the East and West Coast, as well as really exploring what the Dallas art market has in store. There seems to be some great potential for a growing art career in Dallas, and it's exciting to wonder just how far I can take this train, and see what gets picked up along the way.

"We Are Modern" Opening Recap

2011-04-04T17:55:00.000-05:00

Feels extremely good to finally see April 2nd come and go. Saturday night turned out to be a big success, not only in art sales for my latest exhibition, "We Are Modern", but also in terms of the response and feedback received.

I had the pleasure of meeting many new fans and collectors, and also enjoyed catching up with some of my friends and well-established collectors, as well. The newly-renovated Cameron Gallery suited all of the new paintings for this show very well, and I honestly couldn't be prouder of any body of work of mine in recent memory.

A dozen brand-new silk screen paintings on wood currently adorn the walls through mid-May, and thankfully, I get to take advantage of the built-in crowd during this year's annual DADA Art Walk, where I will also be debuting a few new additional paintings that were not unveiled during Saturday Night's opening reception. I'm looking forward to the opportunity to possibly find some other new homes for these larger paintings, as I always have more paintings I want to create. (I still have no idea what the additional work for "We Are Modern" is going to look like, but I'm sure I will soon.)

Of all the work in the show, I think I received most accolades over the new 'James Dean' piece to the left, and the 'Kennedy' piece pictured below. The Kennedys always resonate with Dallas audiences (for obvious reasons), but thought it curious that the James Dean captured most people's attentions. Either way, I'm not complaining. I'm happy the audience enjoyed the work as much as I do. Frankly, there is not one 'filler' painting in this whole lot. I'm super-amped about each painting individually, and didn't feel there was one painting I liked more than another. Each one was really important and special to paint, and I think it shows in the individual pieces.

Work is underway for the book I will be publishing soon on the exhibit. I will announce an official release date that will also coincide with the closing reception soon. I'll also post an interview I recently did with Art This Week, an incredible and informative art blog that is based here in Dallas. Be on the lookout for that soon.

I sincerely want to thank everyone who came out to the opening on April 2nd. Your support and encouragement means the world to me, and I honestly couldn't keep this momentum going without it. This latest exhibit serves as a litmus test, if you will, for a great many things I have planned for my studio. Because of the support and feedback I've received from this latest opening, I now have even more drive and ambition to continue on into the next many chapters of this expanding and blossoming career. I'm excited to see what happens next...

*Please note...photos never do the actual work any justice, however, look for the images to hit the website this week.

"We Are Modern" Opens Today

2011-04-02T16:47:00.000-05:00

The day has finally arrived. "We Are Modern" opens to the public at The Cameron Gallery today, an exciting exhibit for me which features a dozen of my latest and greatest paintings to date.

It's been a crazy long last few months of late nights, multiple supply runs, little sleep, little food and copious amounts of caffeine. Regardless of any and all stress levels, I think the work speaks for itself and is worth the effort.

I'm gearing up to head to the gallery this evening, so I leave everyone with one more little preview of the show. I'll be sure to take/acquire photos from tonight's opening reception, which I'll post in a later blog this coming week. The rest of the paintings will make their way on to the website later this coming week, as well. First and foremost, a couple of days worth of sleep and downtime will be in order!

I hope everyone has enjoyed following along the last few months as I've made progress on "We Are Modern". It's been a fabulous show to have produced, and I can't think of a better collection of art to ring in my first major solo show as full time working artist.

As April progresses, I'll be posting more goodies online from this show.

Keep your eyes peeled.

Time to get dressed and spiffed up. My public awaits, haha.

Everyone Loves Gig Posters...

2011-03-31T17:36:00.001-05:00

Damn. What a crazy-busy last few weeks. Months, actually.

As I was getting ready for my usual morning work ritual for the upcoming show last week, I received an awesomely unexpected email from Ken Bethea, guitarist for the Old 97's, asking if I could print a poster for their upcoming Spring tour. I had a lightning quick decision to make. Either I could politely pass and say "I'm too busy with painting right now to help", or bite the bullet, recognize the awesome opportunity, and squeeze in one more major project in a short amount of time. Needless to say, I said "Yeah, I can do it."

I spent a couple of days working on designs, and after a few back and forth emails on edits/suggestions, we nailed down a final design late Sunday evening, which is pictured above. When Monday morning hit, I was off to find silk screen ink, paper and have my transparency films printed. Five o'clock rolled around and I was ready to start printing. (Did I mention the 300 tour posters needed to be complete by Wednesday?!?) Tuesday morning, 2:30am rolled around and I had finished all 300 two-color posters...by hand, and boy, did I receive a killer workout from all that printing.

One of the major challenges to this poster job, aside from the really short window in which to have them complete, was my lack of a useful vertical print drying rack, as well as the lack of floor space to accommodate that many posters. Cat hair doesn't bode well with art drying on the floor, either. Luckily, a vacant loft in my building was available to use for a couple of days. I had a few racks to use for drying, but the bulk of the prints still had to remain on the floor. It was a pretty clean floor, I might add.

The following afternoon all of the posters were finished, signed and numbered, and ready for pickup. Ken seemed pretty pleased with the poster, and was perhaps equally pleased with the lightning quick turnaround. Hopefully, the rest of the band digs them, too.

I've dabbled in gig posters for friends and local bands over the past year or so, but this one marks my first major gig poster for a band. I'd love to see this turn into a more regular gig on the side, in addition to all of the gallery work I do. There are a few other gig poster jobs on the table for the coming summer months, but I'll be anxious to see what else gets thrown my way after this.

I should note these Old 97's tour posters will be signed by the band and available at their shows. I have a few extra posters that are signed only by me (but not numbered) that will be available after their Spring tour is over. Check out their site for tour dates and such!

The FINAL COUNTDOWNNNN!

2011-03-25T01:27:00.000-05:00

I must be out of my mind to be up this late and squeeze in a blog update after (another) 14 hour work day. Out of my mind? Why, yes. Yes I am.

Down to the final stretch of the work until delivery day next Thursday. Making mad progress, stirring up all sorts of new ideas as the final minutes countdown to D-Day. I know I said I wasn't going to post any more previews, but after looking through some of my process pics for the book, I came across a couple of pics of the 'Kennedy' painting I'm currently working on. Thought these were interesting shots so I thought I'd share.

I'm staying away from the obvious 'assassination' subject for this painting, as it is still a little macabre after all these years for Dallas. Besides, that is too easy of a subject. This final painting will have a bit of a positive undercurrent, if you will...observations on the 'American Dream.'

The image to the right shows half of the image of Jackie and John screened in. Sort of illustrates how ridiculous my paintings look with only the blocks of color laid out.

The painting is obviously not b/w, but this image in b/w made for an interesting look. (It also serves as a sample image for me to see what other b/w images will look like for my book.) There seems to be a massive amount of irony in this image. You'd think it would be JFK who would be missing from the picture. Honestly, there is no deep pretext here. JFK just happened to be the first person I silk screened on the painting and wanted to take a few shots of it 'in progress'. It's curious, no doubt.

In other news...this upcoming show isn't the only thing I have going on. There are actually several projects going on at once, one of which I'm really excited about and can't share until next week. Oh, the surprises you sometimes find in your email inbox. Needless to say, the next few days are going to be beyond crazy and stressful, but I'll manage. I have tons of records and tons of caffeine to keep me going. Will be time for another vacation after all of this is said and done.

Don't forget! Saturday, April 2nd, 6-9pm at The Cameron Gallery..."WE ARE MODERN" opens to the public. Just so you know, I'm most proud of this latest batch of work. It'll be worth all of the hard work, for sure.

The OFFICIAL WORD On Grad School Plans

2011-03-19T17:13:00.000-05:00

I can officially break the news concerning my grad school plans. I will NOT be attending Tulane University in the Fall.

Apparently, due to the limited placement available for grad students I was not recommended for the program. However, it makes me wonder what kind of students graduate programs are really looking for?

I felt confident my portfolio and supporting materials were strong, but whatever the real reason(s) for not being selected are I suppose it doesn't matter, anyway. I continued to be on the fence about the decision and had been working on a 'Plan B', just in case grad school was no longer an option.

I will take this as a sign that I wasn't meant to continue life in the academic world, that I was meant to continue on my path of being a living/working artist. Two years of an additional career detour may have frustrated me to no end, and the price of having the chance to live and work in New Orleans may have been to high, if it meant having to deal with the pressures and stresses of graduate school.

Anyhow, I'm not ready to reveal 'Plan B' to the masses just yet, but it's exciting to know I no longer have to plan a future around a 'what if'.

For those who have been supportive about my grad school plans and what not, I sincerely thank you. Your support and optimism will be needed in the months to come, as 'Plan B' pushes full steam ahead.

And now, a word from our sponsors...

How About One Last "We Are Modern" Preview?

2011-03-19T15:02:00.000-05:00

The opening for "We Are Modern" is getting close. I have roughly 11 days from this point to finish all work, including varnish, photographing and making sure every painting is ready to hang.

While I had a few extra minutes set aside today, I thought I'd drop one last preview for the show before everything is officially unveiled on April 2nd at The Cameron Gallery.

I'm not quite sure what started me on this series of work, honestly. I knew the work for the exhibition really needed to stand out from everything I've done in the past, and as I've said before, "We Are Modern" marks my first really important exhibition since I started working as a full time artist. So far, I've been very excited about everything that has rolled out of the studio. I seriously think these are paintings I won't be embarrassed to look at 30 years from now.

You are only seeing bits of this latest painting, "We Are The Official Sponsors", but I promise to get it on the site closer to opening night.

I'm loving how every painting looks like bits and pieces were cannibalized from various beverage and shipping crates, especially on the edges. I've been paying special attention to the edges of the wood frames so they are just as appealing to the overall design as the painting itself.

You may have remembered reading a while back that I was working on putting a catalog of the exhibit together. Well, that is still in the works, but will not be ready in time for the opening. However, there is a book release planned for either the end of April or mid-May in conjunction with a closing reception. Details are still being worked out at the moment. Would have been great to have the catalogue ready for opening night, but seeing as how I'll still be painting up to the last minute, the catalogue release for the opening just wasn't in the cards this time. I think the wait will be worth it come the closing reception, though. There is also a chance of debuting a few more new pieces during the closing reception, just to get you kids coming back through the door.

Also, before I get ahead of myself talking about closing receptions, "We Are Modern" will also be showcased at The Cameron Gallery during Dallas' DADA Art Walk on Saturday, April 16th. The art walk will be from 2:00-8:00pm, so come check out the exhibit as well as some of the other great galleries that will be open.

Well, the work continues. Back to it...

"...You'll Get Lucky Every Time"

2011-03-10T23:18:00.000-06:00

Now we are really cooking. Today ended up being an awesomely productive day in the studio as I tackled another large piece for the show.

As usual, here are a few sneak peeks of the work in progress. I'm still teetering on the edge as to whether or not the painting is 'finished'. The background is far from the busy look that some of the other pieces feature, but I kind of like the 'less-is-more' look.

I'm holding off on showing the full size piece just yet. You guys may just have to wait until the opening to see what the final painting will look like, but hopefully these little teases will pique your interests to come see it.

New Art-O-Mat Art for March 2011

2011-03-08T13:27:00.001-06:00

Since I'm constantly silk screen printing these days, whether it be me working on a painting or a print series on paper, prior to reclaiming my silk screens I'll use whatever screens I have laying around for my latest batch of Art-O-Mat mini masterpieces.

Seen here are a couple of pieces from the batch I've been working on today, which I think came out really swell. I'm finishing up the rest of this new set of 50 today, and will probably ship them off to the Art-O-Mat HQ later this week.

Each piece generally takes on a unique quality despite consisting of the same 3-4 images I use throughout. The sandwiching of each image, coupled with the constant re-arranging of each piece in smaller groups during printing, creates interesting designs and often surprising results. No two pieces are ever created identically. I probably couldn't do it even if I tried.

Where these pieces will end up is anyone's guess. Lately, many of my Art-O-Mat creations have been going to The Cosmopolitan Hotel and Casino in Las Vegas, as they are currently hosting six different machines. If LV is too far a drive for you, check out Art-O-Mat's website for a list of machine locations. Or ultimately, you can check out the Art-O-Mat general store and purchase an Art-O-Carton containing 10 original Art-O-Mat masterpieces. What better way to start an instant Art-O-Mat collection?!?

More Art-O-Mat artworks from the studio coming soon, as always. The goal this year is to possibly create 500 unique Art-O-Mat pieces for 2011. So far, I think I have about 400 more to go...

Stay tuned!

"We Will Defend Your Right To Low Quality Processed Foods"

2011-03-06T18:42:00.000-06:00

Fresh off the easel is the latest work from my upcoming "We Are Modern" show. I'm pretty excited about this piece, especially because of the size. This sucker measures 72" tall by 30" wide, and is another swell (I think) departure from my usual square format paintings.

I thought it would be an interesting juxtaposition to take the image The Lone Ranger, a tough and iconic gunfighter for justice, and 'sandwich' him between old adverts of cheap grocery products, hence the sarcastic, tonge-in-cheek title.

There's been some interesting innovations in processed foods over the last fifty years or so, and our diets as Americans have been drastically altered. Having more of an understanding where our food comes from and its 'chemical makeup', I thought this painting would make an ironic statement against me (and countless others) wanting to eat actual healthy food.

The food industry certainly isn't going to collapse anytime soon, especially since they are genius in inventing ways to create new foods. To eat healthy is and will forever be a premium to those who can afford it. It's a sad reality, to say the least.

I could go on and on about this painting, but I'll save it for the show.

To the right is a detail shot of the face and some of the text overlapping. As you can see, part of the face has a slight 'over print' look to it. Part of that was a printing mistake, but I look at the flaw as a character trait in what, to me, appears to be a 'shifty business'. Sometimes you can't completely trust and industry man. As for the other side of the coin, I like seeing printed matter have imperfections, overlaps and smudges. It lets you know that a means of perfectly replicating an image still has flaws, and the work was created by human hands.

Color placement for these paintings is key to the look and feel of the new work. I don't block in color with a brush (not usually). I like my trusty brayer to do that for me.

The edges of each piece are also silk screened throughout, giving me a (I think) a unique difference to those other Pop Artists out there.

The work for this show is really coming along great. I'm anxious to see how it all comes together and plays out collectively. I've been putting a lot of blood, sweat and tear into this work, and I think the reaction (feedback and/or potential sales) will determine my next big course of action for me and the studio.

Which reminds me...the grad school application. I believe portfolios are being deliberated beginning this week, so I may be hearing something back really really soon. No matter the outcome, I've got 'Plan B' currently in the works, as well.

Now, off to make more art...

International "We Are Modern" Trailer

2011-03-02T21:17:00.002-06:00

For the rest of March the blog will be dedicated solely to my upcoming exhibit, "We Are Modern" (in case you haven't figured out the title yet from previous posts.)

My friend Bryan over at Boomstick Comics put together this here trailer for the show, which I think is pretty snazzy.

Also, here is the teaser I put together a while back...

This show is really coming together. I think everyone will be in for a real treat when it opens on Saturday, April 2nd at The Cameron Gallery. You're invited, btw. You should come...bring some friends.

Another "We Are Modern" Preview...

2011-03-01T23:29:00.001-06:00

Good news...the 'Lone Ranger' piece is near complete, but that's not what I wanted to share with you. This is a little snippet of my next piece for the upcoming show. Slowly but surely, I'm getting all of my mock-ups designed so I can get cracking on the next few paintings.

I'm hoping to mix things up a bit for the show with portraits and object this go around, and not just have a show full of famous faces (although there will be a few.)

It's been fun and challenging so far. Between dealing with allergies and sometimes not having enough paint when I need it is making thing interesting. I feel, though, I'm making some of the best and most eye-catching work to date. Thankfully, I've received some great validation on the work I've completed so far, and I've barely even scratched the surface. There's no telling what is going to come out of this studio next.

Stay tuned as I drop other tidbits and sneak peeks throughout the month. Should be fun!

Music Journalists Are Rock Stars Too, Right?

2011-02-27T20:28:00.000-06:00

Last night I had the extreme pleasure of visiting The Kessler Theatre in Dallas' historic Oak Cliff neighborhood, where I was in attendance for the Wanda Jackson show.

Now, I already had her latest album, "The Party Ain't Over", and had purchased tickets for the event well in advance, but what made the show special for me (aside from obtaining Jackson's autograph) was that I was in attendance from the perspective of both fan and journalist. Yes, last night was my first official foray into music journalism, with camera in hand and iPhone by my side to take notes.

It was an interesting high for me, being able to enjoy such a show as a fan and professional. Granted, I wasn't being paid to cover the concert. I've been merely serving as a contributing arts and music writer for a friend's entertainment website, Boomstick Comics. Perhaps actual cash will grace my palms somewhere down the road.

Music journalism has always fascinated me, ever since being a journalism student in high school. I was able to cover a concert event here and there for my school paper, if I happened to be traveling to a show. I don't think I'll ever reach Cameron Crowe or Ben Fong Torres status with my music writing, but it is a fun side gig that allows me to be even more immersed in the music I love.

Wanda Jackson's show, with backing band The King Bucks, was fantastic. Even though she was fighting a sore throat and a grueling tour schedule, she managed to keep on trucking through her set list, as well as entertain the crowd with bits of storytelling interspersed, recounting her times with Elvis Presley, Johnny Cash, Jerry Lee Lewis, and of course, Jack White and her new record. Jackson confessed to the crowd she rarely speaks so candidly about her life and career. In doing so, she was able to keep her vocal chords loose (in addition to the help of her glass of Cabernet Sauvignon.) Thankfully and surprisingly, the crowd was very respectful and encouraging, something I haven't really experienced with a Dallas audience before.

The King Bucks absolutely blew me away. They really hadn't had any time to rehearse with Jackson prior to the evening's events, and stuck by thick and thin, playing some of the best live rockabilly and country music I've heard in a long time. I compare them to the awesomeness of The Byrds and The Flying Burrito Brothers. I was really happy to know they are from Dallas, so I'll be seeking out more of their shows in the future.

Prior to Jackson coming out on stage, The King Bucks blazed through an incredible version of Bob Dylan's "You Ain't Going Nowhere", which really got the crowd into a good mood.

This was my first time visiting The Kessler since they opened about a year ago, and I was impressed with the intimate venue. It holds a few hundred people comfortably, and the acoustics and speaker system sounded top notch. I didn't walk out of the theatre feeling I had my ears blasted off, like I have with some venues in Dallas. From what I understand, last night's show was the most attended show The Kessler has had. I hope it is a sign that more well-known acts will look to this tiny gem and bring more solid entertainment to Dallas.

By the end of the night, Jackson, looking very tired and ready for bed, managed to sit through with what I presume to be another few hours of signing autographs to eagerly awaiting fans. As I didn't get out of the theatre until after 1am, (with prized autograph in hand) I wondered just how long the guy at the end of the line had to wait for his. I happened to be the fifth person in line, thankfully.

For those wanting to check out my official review from last night's show, click here. Also, check out the candid after show Q&A session recorded by The Kessler here. The video sure beats out my failed attempt of recording the audio portion on my phone. Apparently, you actually have to press 'record' on the voice memo app if you want to capture sound. A rookie mistake, yes. Next time, I'll be better prepared...

I'm not sure what my next show to review will be, but rest assured, I will be posting quite a bit about my experiences here. Boomstick Comics and myself have already been in talks with the other area music venues about press coverage, and we'll get to pick and choose who we want to review. Not a bad gig, huh? Who knows where this will lead???

Whatever Became of Burt Ward?

2011-02-25T11:21:00.000-06:00

Remember that sneak peek I posted a few days ago of 'Robin'? Well, here is the finished piece. The background ended up being completely different from my mock-up, but I'm thrilled with how this piece turned out. Feels like I'm turning a new leaf in my work, which I'm sure this upcoming show is going to demonstrate.

I find it interesting just how gritty you can make a painting look with the use of clean silk screen stencils. This medium really allows you to explore the possibilities of commercial printing methods, and the water-based media I use makes manipulating the painting even more fun.

I'm looking forward to completing the next piece in the series, which is the 'Lone Ranger' piece I previewed a few weeks back. I think this painting will stay pretty true to the mock-up. Half of the painting is complete, so far. Perhaps it'll get finished over the weekend...

New Goodies In The Etsy Shop

2011-02-23T11:50:00.000-06:00

Since I'm now a Dallas Etsy Team Member this year, and have had my work featured in many of my team mate's Etsy Treasuries, I'm starting to receive some great traffic, not to mention sales, through my Etsy Shop!

The popular sellers have been the "Shutter & Shiver" and "Lonesome Stardust" prints, as well as some of my original works on canvas.

The last few days since our big Etsy Dallas team meeting have been quite fruitful, which is great motivation to get cracking on more print and tee designs. In fact, look for a small offering of my latest "Love Me" print release in the Etsy shop this week. Originally made available for the "Made For Love" art opening at The Cameron Gallery on February 19th, I've decided to release a tiny number print sets through the studio shop.

These babies are only limited to 25 sets in this red, yellow and black colorway. A second colorway is planned for a later release this Spring.

So much to do and so little time...

Stay tuned for more goodies soon.

Ok, Ok...Just One More "We Are Modern" Preview

2011-02-23T11:18:00.000-06:00

We've definitely become a culture who likes to share thanks to the advent of social media. Just when I thought I could get away with not sharing with others because I'm the only child...

Actually, I like to share. This 'information age' we are currently makes sharing easy and convenient, so I share with you the first fully finished piece from the upcoming show, entitled "We Promise To Look Great At All Times". It's a commentary on 1950s culture about men's expectations of women looking good and proper at all times, while cooking, cleaning house, grocery shopping, etc. And of course, who better a spokesperson than Ms. Monroe herself?

The work week is starting to show some promise, despite the ongoing sinus battle I've been dealing with. Lots of silk screening work left to do...

"Made For Love" Opens Today...

2011-02-19T16:02:00.001-06:00

"Cover Girl" | 24" x 24" | (2011)

The annual "Made For Love" group art show opens today, which I think, will really show just how deep my obsession with Marilyn Monroe and Elizabeth Taylor run.

This new Marilyn piece was finished this just morning, and turned out much better than I anticipated.

The black printing underneath printed very thin, and I had contemplated painting over the entire image and start over. Luckily, I got the idea to over print red on top slightly off register to give the painting the appearance of being 3-D. I think the red printing gave the piece a much better visual result than had I painted over the entire piece to start again. Plus, I saved some paint in the process.

"Cover Girl" detail.

Believe it or not, I may be ready to put my Marilyn Obsession to bed for a while. It's high time I shift my focus on different celebrities, maybe those who are contemporary to my time.

Who knows, you may see some 'Scott Pilgrim' film cast portraits in the near future. I think those would be fun. I am a little infatuated with Ramona Flowers...

Anyhow, "Made For Love" is from 6-9pm and is open to the public. 1414 Dragon Street, Dallas, TX 75207. For more info, visit their website or call 214-747-1414. Exhibit will be on display through February.

We Are Modern Preview III...

2011-02-18T18:12:00.000-06:00

After completing all of the principle painting for a new piece featuring Burt Ward as 'Robin' from TV's "Batman", I was able to finally start cracking on the printing portion of the painting. These are but a few sneak peek images of said painting.

I nearly wet myself after printing the massive image all by myself, discovering that it had printed well. The over all painting size is 72" x 30", while the screen itself measures 34" x 40"...a little cumbersome to print without the aid of assistants to help hold the screen firmly in place.

The painting still has a ways to go before it is finished, but just knowing the 'Robin' portion is complete makes me excited to finish sooner than later.

As usual, I'm mostly using acrylic and water-based silk screen ink. However, the only difference is that these paintings for "We Are Modern" will be completed solely on wood, just because I like the distressed texture the wood gives the printed image. It'll be great to see the rest of the painting take shape and get it on the wall. Even better, get it in someone's home.

I feel as though I'm working on some really keen work this time around. As long as the excitement from piece to piece builds I think I'll have one of the best collections of work ever.

On a side note, I hope everyone is enjoying the updated look of the blog. I have several things cooking aside from the upcoming show in April. Since I'm a new team member of Etsy Dallas, I get to meet many of the new and current members this weekend, and get to look forward to a groovy and creative year. Not sure what will be in store with this endeavor, but I can honestly say I'm looking forward to the action.

Also, I'm contributing to my friend Bryan's "Boomstick Comics" website, which has quickly been growing into a very popular entertainment news site. Most of my contributions will pertain to music and art news, both on the local and national levels. Some interesting things are now in the works with that gig. More is sure to come!

As for the grad school business...still no new updates to share. However, I'm keeping plenty busy as to not wait in vain by the mailbox for news to arrive.

Before I forget, Saturday, February 19th is the annual "Made For Love" group show at The Cameron Gallery. In addition to my "Love Me" print series that was pre-released last week (see previous post) I've also created a few new individual paintings of the Marilyn and Elizabeth images, like this beauty to the left. It'll be the last time you see any of my smaller canvases in galleries. I'll be keeping those for my own Etsy shop for awhile.

One last thing...I'm rebelling against facebook for awhile, so if you want to keep up with updates and news for the studio via other social network sites, check out my Twitter page (which I'm updating constantly) and my new Tumblr page (dedicated to my art and music indulgences.)

I haven't got around to a new Classic Waxxx review, but you'll see one relatively soon! I'm way overdue on that front...

Love Me, Love Me...

2011-02-11T00:20:00.000-06:00

This weekend sees the release of a new print set in conjunction with the "Made For Love" group exhibition taking place at The Cameron Gallery (February 19th). Saturday, February 12th serves as the 'Lover's Preview' for those hoping to acquire some original art for their sweethearts for Valentine's Day (February 14th, in case you forgot.)

The prints feature classic film starlets and icons (two of my favorites, I might add) Marilyn Monroe and Elizabeth Taylor, entitled "Love Me No.1" and "Love Me No.2". Each print is a three color silk screen on 80 lb. white Cougar cover stock, measures 14" x 14" and is limited to S/N sets of 25. The first run of this print set is done in yellow, a sweet reddish-orange and gloss black, both hand printed and giving each print in the set its own unique characteristics.

The set will only be available through The Cameron Gallery, however, depending on popularity and demand, I may also release an alternate version with different colors through my website. The first prints in this set are available framed, though print sets #2-25 will not be. Please contact The Cameron Gallery for pricing information.

I'm super-jazzed about this print release, and hope fans will be just as such. If you/I am lucky, you may find at least one set of these prints in my Etsy shop relatively soon, along with some other new goodies.

I'm almost tempted to produce some larger versions of these prints on canvas. I suppose I should see how the smaller, more manageable sized pieces do first.

The "Love Me" set marks my first exclusive print set through a gallery, which I feel inclined to do more of in the near future. I do like offering some things solely through my website and studio, however, offering prints through a gallery has a little more prestige, haha.

Anyhow, if you are in or around the Dallas/Ft. Worth area, visit The Cameron Gallery on Saturday, February 12th from 3-7pm for the 'Lover's Preview'. Come again on Saturday, February 19th to get a glimpse of more work by yours truly. (We artists always have to find a way to keep you coming back for more.)

The Cameron Gallery is located at 1414 Dragon Street, (in the heart of Dallas' Design District) Dallas, TX 75207.

A Hunk Is A Hunk Is A Hunk...

2011-02-10T18:35:00.000-06:00

Been sitting on this post for awhile...Some international clients of mine had contacted me around Thanksgiving time to paint them a companion piece to a set of pinup girl paintings they purchased when I had regular gallery representation in Washington DC (back in the day). After a few email exchanges and a follow-up phone call exchanging ideas I settled on painting them an 'Old Spice' kind of a guy. It was the first time I actually painted a male 'pinup', so the commission was a nice challenge and a 'stepping out' of sorts from my subject norms.

The painting measures 36" x 36", acrylic and mixed media on canvas.

The real challenge wasn't the painting, actually. The challenge was again shipping artwork overseas and hoping it arrived to its final destination in one piece. Thankfully, it arrived unscathed and my clients supplied me with the following photos. I'm also happy to know they are happy with the painting, as well. I love how the use of color in both paintings break up and add a little excitement to the simplicity of the bathroom. I can honestly say these are two paintings I'd love to look at while soaking in a hot bath.

Seems that my international fan base is growing more and more lately, as I'm receiving several requests for work outside of the USA. I hope this sort of thing continues, as well as other fans and collectors closer to home discovering my work.

In other exciting news, the excitement is really starting to build over the anticipation of news from Tulane University and my MFA application. I'm sending out positive vibes out into the world, saying lots of prayers, and crossing many a finger that heading off to New Orleans will be the next chapter in life. No updates as of yet, but you'll be sure to read it here once I know something definite.

From A Buick 6...

2011-02-01T17:51:00.000-06:00

It's pretty rare weather is the cause for me to not be able to make art, but I didn't let the recent ice and snow stop me from being creative today. There seems to be a fair amount of classic cars that come and go in my area of Dallas, and since I really wanted to be outside today I thought I'd use the opportunity to photograph one.

This Buick station wagon, from the early-mid 1960s, sits parked, waiting to be worked on and restored. I've been compelled to photograph this particular car for a few months now. Not really sure why, but I thought I should jump on the opportunity before me or the car disappeared.

I love the metallic green paint job on this car, and the character flaws of dings, dents and rust spots that can be seen throughout the car's body. My favorites aspects of the car have to be the grill and the red and white Buick logo on the hub caps. The photo of the front grill reminds me of Peter Gabriel's first solo alum cover.

I aways say that car manufacturers should go back to these terrific body styles; designs inspired by America's obsession with rockets and space travel. Too many of our car designs have become 'safe' and 'boring'. Maybe one day I'll get to purchase a brand new electric or hydrogen fuel celled car that looks like a 1957 Chevy Bel-Aire.

One a side note, lately I've been seeing a lot of people hating on analog photography filters for smart phone photography apps. Yeah, I can see where people could not like it, by having the filter make a terrible photo look better. But what about the people who actually take decent photographs with their camera phones? The analog/vintage filters just enhance the pictures even more.

A couple of these photos will probably make the cut for my iPhone and Polaroid photo book I hope to self-publish later this year. I hope to have enough photos to cull through that the selection process of photos to include in the book will be a tough one.

Anyhow, even though I wasn't able to get any screen printing or painting accomplished today, spending a few minutes of the day photographing a cool car isn't a total loss.

If you want to check out some of my ongoing iPhone photography series, visit the website under the archives.

"We Are Modern" Preview No.2

2011-01-31T21:43:00.000-06:00

After an afternoon of chocolate chip cookies and White Russians with a friend during a gallery visit, I managed to come home and get some killer work done on the upcoming show...well, at least I think it's some killer work.

The piece I'm currently working on is a nod to 1950s women's beauty, fashion and the latest and greatest kitchen gadgets that were meant to streamline the time it took to make that all-American atomic age dinner. The background consists of text derived from those ads, superimposed on top of one another. The image of the lovely Ms. Monroe (obviously) stands out amongst the chaos of the word heavy advertisements, trying to push her way to the front.

I have a few more images to to silk screen before I can call this piece finished. I also have to build the frame the wood panel attaches to, as well as 'do up' the edges on the frame. My goal is to have ads and text adorn the edges all around, something I tried before with a few pieces that I wanted to revisit.

I can say I'm very amped and excited about the work that is already coming together for the show. Everything looks fresh and new, and I can wait to unload the finished works on the unassuming public. The feeling is like something Tom Petty once said about the start of his band, The Heartbreakers, saying 'you know you have something good, and no one knows it, but you know they are going to know it soon.' This show is a big deal for me, and I'm making the art a big deal too.

In other news today, I'm officially a member of Etsy Dallas, a group of artists and creators who are part of a growing and local handmade movement in Dallas. I'm not sure what all this membership will entail, but I'm sure I'll divulge more info as I receive it. In the meantime, you can check out my Etsy store here.

Time to call it a day. Lots more to tackle this week before my mini vacation starts.

Stay tuned...

"We Are Modern" Preview No.1

2011-01-28T00:20:00.001-06:00

Work is officially underway for my latest exhibit "We Are Modern", which borrows heavily from 1950s and 60s culture and imagery. Thought I'd drop a quick preview of what is coming up...Featured here are the vellums for the 'Lone Ranger' painting that is ready to roll. The crap thing is I have to spilt large images like this up between two separate films, only because I don't have a silk screen large enough for a single image. Anyhow, two smaller screens are easier to manage when printing. Just need to make sure I get the registration right.

I have to remind myself occasionally that Warhol split up large images between several screens, so that makes for a good example to go by. Guess you can't do it all at once.

After all is said and done the painting will eventually look like the color version seen here, and measure a whopping 72" x 30" with wicked four-part harmony. I'm amped to see the painting complete and looking forward to getting it up on the wall. It'll be the first out of many paintings to be included in "We Are Modern", which means there will be a few other sneak peek previews to come.

In other news, the countdown to "OPERATION: New Orleans" is in full effect. The deadline is quickly approaching, but the nice thing is I have all of my application materials submitted...at least I hope so. Turns out, I'll be notified by Tulane University in case they are missing any of my application stuff. So, the anticipation builds as we speak. In the meantime, I'm enjoying the sketching, designing and research for the upcoming show, and really looking forward to a few days out of town soon.

Anyhow, sleep calls, as does the forth viewing of 'Scott Pilgrim vs. The World" this week. Until next time...

Homecoming...

2011-01-25T21:47:00.000-06:00

As I listen to my asshole upstairs neighbor pound away on his piano keys late this evening, and during most ungodly hours at that, I thought I'd take a moment to tell you folks about my next show opening on Friday, February 11th, called...wait for it..."Table Manners". (I guess you figured that out from the title on the actual graphic, right?)

"Table Manners" is more or less a mini retrospective of paintings from the last two years with a few recently painted newbies thrown in for good measure. The show is being featured at Urban Male Salon, owned by my friend Lindsey Soria and her husband, Joaquin. Urban Male Salon is the newest and poshest salon to open in Abilene, and I'm glad to coming back to my old stomping grounds in stellar fashion.

Some of the work featured from my archives will be from the "Wargasm" Andy Warhol tribute series, my collaborations with artist friend Kat, as well as work from my "Buy War Bonds" series and celeb portraits.

The work fills out the intimate space nicely, and I dig the fact the work has new life and a new audience in the alternative exhibition space. Since most art galleries are still struggling, this kind of venue does well with my style of art. I hope the work will be well received by those who come to see the show, as well as give a strong indication of the growth and maturity of my work to those who have been wondering what I've been up to the last six or so years.

If you want, feel free to save the official invite below as a reminder. You will find all of Urban Male Salon's vital contact info there. Better still, visit them online and check out the place for yourself. I'll be at the opening reception on the 11th, so if you are in Abilene that evening, come by and say hello. Would love to chat with you over a few glasses of wine.

Oh, You Tease...

2011-01-22T23:01:00.000-06:00

I created a quick little teaser trailer to advertise my upcoming art exhibit at The Cameron Gallery, opening Saturday, April 2, 2011. This was actually a lot of fun. Was the first time I played around with iMovie since I got my Mac. Look forward to doing this more. I have another friend of mine working on an extended trailer that should be ready soon, too.

The work just doesn't stop...

...And The Hits Just Keep On Coming

2011-01-22T13:46:00.000-06:00

The weekend is here. Feels a little warmer in Texas today than it has all week. I actually have the windows open to the studio and am listening to the latest Eric Clapton album.

I'm currently working on several paintings at once, as I prepare for some upcoming events and art shows within the next few months. To the left is just a little taste of what I'm working on.

Hope you enjoy...

New Work at Art 251

2011-01-19T19:41:00.000-06:00

It's been about a year and a half since I last worked with gallery Art 251 in Keller, TX, but today I delivered about 20 paintings to the owners, in hopes to breathe some new life in the work and attract some new viewers/fans.

Some of the work includes this swell 'Liz Taylor' piece that actually got finished this morning, as well as another companion 'Liz Taylor' that can be seen on the website. Much of the work I delivered was the small, affordable portraits as well as some of the larger paintings for those who might have some extra wall space (and $$$.)

The timing of the delivery couldn't be better, as I really needed to make some extra space for new work in the studio. Since much of the work for the upcoming show will be very large I needed all of the extra room I could rustle up. (I honestly can't wait to start working on the 'Lone Ranger' piece I have planned.)

In addition to the new work at Art 251, I've also added more painting images to the website, and still have a considerable amount left to add, including series prints, mono/test prints and other good stuff. The amount of content is really starting to be built up, which makes me happy. I think it is kind of cool to see a lot of the work from just the last two years start to speak for itself.

As usual, stay tuned for more news, updates and other trivialities.

Made For Love.

2011-01-17T20:00:00.001-06:00

No, it's not the title of a low budget porno. It happens to be the title of an upcoming annual art show/event for The Cameron Gallery that I will be a part of in February. I'll be debuting some new original canvases as well as a limited edition print set (see teaser below.)

"Made For Love" opens Saturday, February 12th, and I'm sure I'll have more info as it becomes available. I'm hoping this show will get me in the spirit to release more prints this year, as there are many I'd like to produce.

AND SPEAKING OF PRINTS...I'm happy to say that my printmaking grad school portfolio is now complete for submission to Tulane University. I still have a couple of weeks to spare, but I'm ready to get my application in the hands of the 'powers that be'. Applicant consideration is scheduled to take place the first week of March, so I'm hoping I'll know something by the end of March or beginning of April. The nervousness is finally setting in, as the idea of grad school (again*) and moving (again) is becoming more and more real. Thankfully, it's the exciting type of nervousness. (*That's a long story.)

You can bet you bottom dollar as soon as I know something about my potential move to New Orleans I'll post it here first. In the meantime, gotta get back to some painting and blogging. Until human cloning becomes legal (and/or I can afford to hire assistants) I'm the only one available to do the work.

The countdown begins....NOW.

The Man Without Fear

2011-01-16T11:13:00.000-06:00

I got to do some playing around in the studio this weekend, as I was finishing up the last bit of Christmas gifts for friends. I painted this little gem for a friend of mine who is a big Daredevil fan. Thought it would make for a great addition in his home office, and maybe blend in well amongst his impressive comic book library.

Feels good to clear away some long-standing 'back burner' projects, even though I still have a few more to attend to. It also feels good to get back to new work for myself, after spending a couple of weeks trying to recoup from a busy as nails holiday season. Despite how stressed I may get from all of the workload, I feel as though I'm really in my element when I'm painting and/or screen printing.

I suppose I'll always be experimenting with the collaging of images within my paintings and silk screen work, just to see what interesting things take shape. These additional images show you some detail in the texture of the canvas and print. I sometimes enjoy screen printing on canvas more than paper or wood, because of the surface. The uneven surface of the canvas allows me to capture a 'distressed' look without having to purposely design my art that way.

Hopefully my friend will dig this piece. I may paint a couple of other variations to it, just because, but we'll see. There is still much other work to complete over the next few months, especially for my show coming up. Should be a fun project though...

Operation: NEW ORLEANS

2011-01-12T19:24:00.002-06:00

Some of you may remember me pitching my 'campaign' of sorts to apply for graduate school to Tulane University for an MFA in printmaking. Well, as it turns out, The portfolio is finally due on February 1st, which means I have roughly two weeks to wrap everything up and seal my fate...as they say.

I've been on the fence for quite some time as to whether or not I would go, if accepted. Going back and forth, day to day on the decision has been a tough one, and a wee bit stressful at times. But I think I've finally come to a decision. If accepted I will take the leap of faith (once again) and head East to New Orleans. The first time I visited I could tell the city was special, even before Hurricane Katrina. The music, food, cultural history and vibrant colors always call out to me when I'm there or just nearby.

I think it would behoove me to take a shot and see what NOLA has to offer. The fact of the matter is I don't have any major financial or personal responsibilities to keep me grounded, and being the Sagittarius that I am, it's in my nature to be nomadic. I carry a great deal of optimism every day in my life, even when I have major doubts, but I feel this would be a great move and adventure for me.

The argument has been made that I could be starting completely over by making this occupational detour/transition. This may be true, but I've taken some considerable thought about the subject, and I know I can make a 'go' at this. I may have spread myself a little thin at times during my undergraduate studies, working full time, attending classes full time and putting together new art shows every semester in between the madness. I know for sure I can do it again.

Anyhow, I should find out something about my application in March or April, whether it be a 'yes' or 'no'. If 'yes', then I'll have plenty of time to get everything together for the big journey. If 'no', then perhaps I'll make my way to the Big Easy in some sort of other fashion. In the meantime, work is commencing for my latest show, "We Are Modern", now with an April 2, 2011 opening date. So, even if I don't get accepted into grad school I have plenty of work and projects lined up to continue to keep me busy through out the remainder of the year.

I'll keep everyone posted about the progress. Be sure to check back here to the blog, as I'm taking a bit of a hiatus from Facebook for awhile...

A New Year, A New Wealth of Options

2011-01-01T17:25:00.001-06:00

As I sit comfortably in my home studio today, listening to a handful of previously loved records and trying to fend off a lingering cold (thankful there is no post-holiday hangover to speak of), I'm looking forward to the new year that is currently at hand. It's been awfully nice to try to relax these last few days, as my body catches up on some much needed rest. But, I doubt I'll be able to rest much since I have a hard time sitting still for any given length of time.

I have a feeling in the back of my head that 2011 will be an even more ambitious and breakout year for my art. The ball is already starting to roll and there are many projects already planned for the first half of the year. I also have a feeling everyday will produce some unique (and maybe some unusual) surprises along the way, and I look forward to sharing those with everyone.

In the meantime, here are few more images from my "Sundance Kids" series I created for my friend and fellow film director, Nick Butler. It was a series a few years in the making/waiting, but I can honestly say that I'm happy with the how all of the portraits turned out. I don't think they would have been worth a damn had they been done three years ago. My artistic skills and execution have drastically improved since, so I feel the timing was right to deliver them now.

The "Sundance Kids" series is a set of ten portraits featuring some of Nick's favorite classic and contemporary film directors, like Martin Scorsese, Billy Wilder, Orson Welles, Robert Altman, Stanley Kubrick, Wes Anderson, Paul Thomas Anderson, Quentin Tarantino, Alexander Payne and David Fincher. All of the paintings measure 10" x 10" and consist of acrylic and silk screen ink on canvas.

"Orson Welles"

"Paul Thomas Anderson"

"Stanley Kubrick"

"Quentin Tarantino"

I have a ton of website updates to make over this coming week, such as adding more paintings and Art-O-Mat images. I also will be updating the 'upcoming events' page and show schedule, as well. Like I said, 2011 is going to be a hella-busy year, folks. Look for the rest of the "Sundance Kids" paintings at my website soon-ish, and stay tuned for further details about my upcoming photo book later this Spring.

Have a very happy new year, everyone! Enjoy eating those black eyed peas, watching the college bowl games and nursing that hangover before heading back to work on Monday...

The Year Of The Horse...

2010-12-31T18:45:00.000-06:00

Wow! What a swinging good year 2010 was for me and Napkin Art Studios. So many life changing events took place this year that made me better, stronger, faster, and wanting more in my personal and professional lives. The major event was quitting the day job to tackle painting full time, a major leap of faith on my part, but one that was incredibly worth it. Since July 1st I've been going full-throttle, barely stopping this train long enough to squeeze in food and rest. A work horse I feel I truly am. I can't really put into words how marvelous this years was for me, or quantify the amount of work that took me in new directions. I can say that I'm eternally grateful to each and everyone who has supported me this year. It is truly a blessing to be able to do what I do for a living, and look forward to wake up everyday and spend time in the studio.

As 2010 is about to come to a close I already have several irons in the fire for 2011. Graduate school is still on the table, the studio is starting to come together, I'm getting more and more comfortable in my own skin and my confidence level as a professional artist is at an all-time high. For most, I know 2010 was an especially tough economic time. I feel fortunate enough to not have been severely affected, but I can say that if I was able to stand my ground and keep my head high above water in a down economy, I can only imagine what things will be like when things turn around.

December was an especially tough and busy year for the studio. I've actually lost count of how many paintings were created, including Art-O-Mat works, but I put the estimates somewhere around 100 pieces. I intend to blog more about all of the recent work, but as I get ready to put 2010 to bed, and look forward to new things in 2011, I leave you with just a taste of what I created over the last few weeks. Again, thanks to EVERYONE (friends, family, fans, collectors old and new and general supporters) who made 2010 a smash year for me! Happy New Year to all, and please be safe whenever possible!

"Martin Scorsese" (Private Commission)

From the "Sundance Kids" Series

Acrylic & Silk Screen on Canvas

10" x 10"

(2010)

Forever Hank...

2010-12-20T10:40:00.000-06:00

It's always a real treat when I'm able to commission other artists for work to be included in my own art collection. A nice perk about being an artist is the possibility to trade work with other artists, but sometimes it just seems so much more satisfying when you can pay an artist for the work you love.

I recently came across the work artist Stephanie Buscema, a freelance illustrator and cartoonist based in New York, who coincidentally is the grand daughter of the late comic artist icon, John Buscema, an artist who is has been high on my list of most influential artists for years. After a few Twitter and email exchanges, I commissioned Stephanie to paint a Hank Williams piece, something slightly out of the norm from her usual comic book themed commissions.

I wasn't exactly sure what I wanted the piece to look like, as I typically leave it up to the artist to 'do their thing'. At left is the sketch Stephanie had sent me, which alone blew me away. I didn't need to see any other preliminary sketches. I was left drooling, only beginning to wonder what the full color version might look like. I mentioned that I liked something in a monochromatic color scheme, maybe some yellows, grays, blacks and whites. When I was sent the image of the final piece, damn...

Words cannot truly describe how bad ass this painting is, not only in execution, but it goes far beyond what I had imagined, which is really special for any work of art that is commissioned for your own private collection. I love Hank Williams and his music with a fire and brimstone passion, and to have this painting adorning the walls of my home studio is truly an amazing feeling. It was also a pleasure to know just how excited Stephanie was to do this piece, as she herself is also a hardcore Hank fan.

Stephanie's whimsical Mid-century pop culture illustration style lends itself perfectly to the subject matter, which I might add was her first-ever music themed commission. I'm so unbelievably excited about this piece that I'm already planning a follow-up commission from her really soon, perhaps an accompanying Johnny Cash???

I'm now forever a collector of Stephanie's work, which only makes me even more excited to work and sell my own paintings, just so I can acquire more work of the artists I love and admire. She has been extremely wonderful to work with, and in case you are wondering, her work is quite affordable!

Everyone needs to do themselves a favor and swing on by Stephanie's website, to learn about and see more of her brilliant illustrations and cartoons. This gal is going places!

Stephanie, I cannot thank you enough for the fantastic job you did. This will be a cherished piece of art in my home for decades to come, not to mention all of the other art of yours I will have!

Photography Book Coming Spring/Summer 2011

2010-12-15T20:03:00.000-06:00

I planned to have some killer painting previews to share with everyone today, but at the moment, those paintings are currently en route to their final destinations, and since they are surprises for those people, I must wait until the surprises are over before I can share. None-the-less, I do have some art news I can dish out in the meantime.

Between painting and design projects slated for early 2011, I'll also be compiling photographs for my first-ever self-published book, entitled "Snapshot", which will be a collection of my iPhone and Polaroid photography. I think the marriage of both analog and digital photographs, all in the style of classic 'snapshots' will make for an interesting mini art book, and sort of put my feelings of 'digital' vs. 'analog' photography to rest. I feel, through familiar subject matter and the nostalgia for Polaroid film and snapshot-like quality photographs, this will be an interesting exercise for me, as well as a means of digging deeper into my love for art photography.

I haven't decided how many photographs I want to include just yet, nor a page count, either. I suppose it'll depend on how many photographs I take over the course of the next few months, and what ends up being the best of the best. (Above is a preview of the intended cover, but that could change the closer its gets to the publication date.)

Speaking of books, I did mention a while back about producing a book/catalogue for my upcoming art exhibit in March at The Cameron Gallery. That idea is still very much alive, but probably won't start coming together until after the Christmas holiday. If it ends up being a success, it'll definitely pave the way for more publications in the near future.

Well, the marathon painting continues. Fifteen paintings in three days?!? Must be a personal record, I'm sure...

Last Art-O-Mats For 2010

2010-12-09T22:32:00.003-06:00

As an artist it's always a good day when I find my creative stride. Lately, as I've been completely overwhelmed with commissions, projects, design jobs and what-nots, I still managed to find some time to crank out one more batch of Art-O-Mat art this week, again producing some of my best pieces for this ongoing series of work.

This new collection of Art-O-Mat pieces continues in a fun style incorporating the silk screen printing technique I use quite heavily in my main canvases. I'll typically use whatever silk screens I happen to have around at the time to make these little masterpieces, creating unique and one of a kind mono prints on each block of wood.

Images for these pieces range from pages out of vintage comic books, pinup girls, magazine advertisements and whatever would make for cool looking graphics sandwiched on top of other graphics. The printing process is quite fun, as I print all of the blocks at once, rearrange them in various other groupings, and continue to print and reprint the graphics, until I can look at each individual block and know it is complete.

What I also like is that through the Art-O-Mat machine, my work is more readily available to the masses, especially for those looking to collect my work that may not be able to afford my larger paintings. I sincerely believe that all art should be available to the masses, despite cost and quality. Art belongs to the people and money should never be a reason for its denied access.

Look for these new and other Art-O-Mat pieces in an Art-O-Mat machine near you soon!

Hope everyone is having a great holiday season so far. As a quick side note, please support your local artists, crafstmen/women and independent retailers this season. I know I can speak for everyone when I say we sincerely appreciate your continued support and patronage. Here are a few of my favorite artists to support: Hero Design Studio, StrawberryLuna, Methane Studios, Aesthetic Apparatus, Good Records and Boomstick Comics!

At the left, here is a quick peek at the entire set of these latest little masterpieces!

All I Know Is Work...

2010-11-24T20:44:00.000-06:00

Hey everyone. Sorry for the massive lack of updates. Needless to say, it's been quite a busy last few weeks. Lots of commissions and design deadlines for new clients, which has kept me from maintaining my writing as of late.

Anyhow, started work on a new series of paintings for my upcoming solo exhibition in March, tentatively called "We Are Modern/We Were Promised Everything." I'm borrowing heavily from influences and references from 1950-60s popular culture, especially from film and advertising. There is a whole back story to the show, one I'm saving for the catalog I hope to produce along with the show.

Anyhow, before I disappear off the face of the planet for a few months, I thought I'd share with you guys a little taste of what to expect visually.

"Get You Some"

Acrylic & Silk Screen Ink on Canvas

16" x 34"

(2010)

Much of the work will look along the lines of this piece; very large, visually detailed, and hopefully include a few surprises along the way. It'll be a fairly ambitious art show, which will mark my first solo show as a full time working artist. I want to pull out all of the stops for it, and hopefully push myself farther into new visual directions. Below are a few detail pics of the above painting.

I plan on using this piece as part of my grad school portfolio, which is due Feb. 1, 2011. I won't know what the future holds for me in that respect, probably until April or May, which will give me plenty of time to focus on the art for the upcoming show. Fret not, though. I plan on sharing more of my recent projects soon. It's just a matter of having the time to sort through everything. After all, I'm simply a one man operation...

Happy Thanksgiving, everyone. I certainly have a LOT to be thankful for this year, as it's been one hellova personal and professional growth period for me. I'm simply amazed to wake up every morning knowing I have a tremendous built-in support system of family, friends and collectors. It's a joy and blessing to be able to do what I do and make a living from it. Thanks to everyone who has made this such a banner year for me.

Stay tuned...

Print Show Preview

2010-11-07T15:42:00.000-06:00

I previewed some of my latest prints on Boomstick Comics' website today. Run by my buddy Bryan Kluger, who is probably the go-to guy in Dallas for the latest in pop culture trivia. Read the review here.

This past weekend was quite productive for art, as I completed both my "It's Ok. You're From Texas." and my Hank Williams/Aladdin Sane" hybrid prints. The 'Hank' print is the second print I've done utilizing four colors. Here is a quick pic of them drying on the floor.

Speaking of which, if you check out the new Napkin Art Studios Tumblr page, I posted some process pics of the 'Hank' print. You can see each color as it produces the completed image. And speaking of Tumblr, I love this site. It serves as a blog of sorts, and functions more like a website, but I'll be using my page as the studio's place for random news and such, like more process pics of screen printing, or influences I take note of. The only difficulty I've had, so far, is settling on a layout theme, so don't be surprised if you see it change from time to time.

I'm getting quite excited about the upcoming print show. If I'm not mistaken, this marks my first show to participate in as a print artist. I've had printed posters available for my own art shows before, but not where the print was the main attraction. I'm nervous, but I'm excited, too. This should be fun, especially with all of the great talent attached to the show.

As a reminder, the show "What's So Funny About Peace, Love & Understanding" opens Saturday, November 13th from 6-9pm at Studio 204 - 204 East Street, Arlington, TX 76010. Check out some of the art from participating artists Kim Neiman and Virgil Scott, owners of Studio 204, Casey McGarr of Inky Lips Press, Rhonda Camp Warren of Color Box Design, and Lily Smith+Kirkley of Lilco Letterpress.

We'll see how well my prints sell at the show. The silver edition of the 'Hank' print is limited to 30, and I may go ahead and print a gold edition as well. If there are any left over I'll put them up on my Etsy web store. You may see some of the 'misfit misprints' make it to the site, as I had more than I planned, haha.

Hope to see some new and familiar faces at the show on Saturday. Rock n' Roll.

New Prints and Poster Show

2010-11-03T19:54:00.000-05:00

I'm on a roll...

As I gear up for the upcoming "What's So Funny About Peace, Love & Understanding" print show next Saturday at Studio 204 in Arlington, TX, I'm finishing up two more prints at the last minute. However, I'm pretty jazzed about these designs, and I couldn't wait to share. First up, showing some love for Ziggy and Hank:

It's a four color silk screen on white Cougar cover stock, measuring 14" x 14". Inks used are blue, magenta, silver and black. It's a S/N edition of 30 that will be available during the exhibit, then available through my web store afterwards.

If that print weren't swell enough, how about my tribute to Willie and Texas all in the same slice of bread?

I definitely think the print says a lot without having to say much at all. This too, will be available during the print show, and then again through the web store. Two color silk screen on white Cranes Lettra cover stock, S/N edition of 30. And as usual, all of my prints are hand printed with lots of love.

These print designs may also make it into my print and design portfolio for grad school, if all goes well.

"What's So Funny About Peace, Love & Understanding" opens Saturday, November 13, 2010 at Studio 204 - 204 East St. / Arlington, TX 76010, from 6-9pm. Contributing artist also include Kim Neiman, Virgil Scott, Casey McGarr, Rhonda Camp Warren, Lily Scott-Kirkley, Virginia Green, Maeve Rogers and Steven Trimble, all extremely talented letterpress and silk screen printers and designers, respectively.

The show is open to the public. Bring some friends and $$$.

New Again

2010-11-02T18:41:00.000-05:00

It's November. Today has been cold and rainy, which for me, really ushers in the Fall season. I'm excited to break out the heavy coat and sweaters, the impending holiday snacks and treats, not to mention the new work I have lined up for myself.

I may have said this before in past updates, and I know I've mentioned this in person to a few people, but I'm excited to see where my work is headed, and where it has been heading. I feel I've finally reached a focal point in my work, bringing all of the elements I've enjoyed experimenting with over the years into art that I feel very jazzed about. I suppose I'm not really pushing my work into new directions as much as I'd like to think, more so than the fact I am shedding distractions and getting down to the nitty gritty. The image to the left is the first in a new body of large works that will find its way into galleries soon, work I can really get behind to say "I'm f*ckin' ready."

Much of the new, ambitious work will be created on much bigger canvases and works on wood. Wood is going to be an important sub-straight for this new series, as it will allow me to manipulate the media in ways that are sometimes too difficult to do on canvas.

What I'm even more excited about is my upcoming show date for this new work: Saturday, March 12, 2011 at The Cameron Gallery. This will be the first true collection of work from a time when I can honestly say "I'm a full time working artist." My hope is to also produce a companion catalogue of the exhibition, featuring paintings included in the exhibit, as well as some behind the scenes photos and commentary about the work. I've never done that kind of thing before, but I do enjoy the idea of presenting all of my art exhibits as full package deals.

March is actually the best time to unveil this new work, as I'll probably still be waiting hear back about my potential acceptance into Tulane University's MFA Printmaking program. If accepted, the following months will be devoted to relocation preparation. If not, well...I'll keep plugging away at the new work. Not to say I won't be while working on an MFA...

Some exciting new things are definitely in the works for the remainder of 2010. I hope to be sharing much more with everyone as things happen, so keep your eyes peeled for future 'newness'!

New Art-O-Mat Art, Long Overdue...

2010-10-28T18:05:00.001-05:00

I'll be the first to admit that I'm ashamed for taking so long between latest waves of my Art-O-Mat pieces. But hey, sometimes life and other bullshit gets in the way of projects you hope to complete. Thankfully, I'm happy to say I have the latest wave of pieces ready to find spots in Art-O-Mat machines around the country.

I'm ever so fascinated with manual printing, especially when images and text overlap, creating unique, one-of-a-kind mono prints. For this latest batch of Art-O-Works I decided to do just that, creating what I think is my best batch to date.

I fully profess my love and support for Art-O-Mat and the Artists In Cellophane organization, as they have been working hard for over a decade to bring their unique concept of 'vend-ready' art to the masses. Art-O-Mat machines are retired cigarette vending machines that are refurbished to dispense art, most for only $5.00 each.

I've been a part of the Art-O-Mat project for a few years now, and am really excited about their recent expansion of additional machines in new locations. I never quite know where my work will end up, so it's always interesting to find out who will acquire my work.

For more information about Art-O-Mat, check out their website at artomat.org.

It's Better To Give

2010-10-26T01:17:00.000-05:00

I was recently asked by the North Texas Black Tie Dinner group to donate a piece of art for their charity fund raiser this year. I've donated art to them in the past, and I continue to look forward to helping out with their organization in the future. This year, I'm donating one of my James Dean pieces from my series of "Jett Rink" portraits, which will hopefully auction off for a good deal of money to support one of their local charity recipients.

"Jett Rink IV"
(James Dean)
Acrylic & Silk Screen Ink on Canvas
12" x 16"
(2010)

The Black Tie Dinner is a non-profit organization that raises funds for GLBT supportive organizations serving North Texas through a premiere event of empowerment, education and entertainment in partnership with the community. The event typically attracts around 3000 attendees, including local, state and federal dignitaries. Much of the proceeds benefit the Human Rights Campaign as well as other designated local charities.

Personally, it's a shame that as the 21st Century progresses much of society is still blind and ignorant to the equal treatment of the GLBT community. I hope my contribution to this year's Black Tie Dinner event helps in their cause, however big or small.

For more information regarding Black Tie Dinner, please visit their website.

A Matter Of Interpretation

2010-10-22T16:01:00.000-05:00

Brigitte Bardot...another icon off of my 'must paint' list.

What's funny is that this is the same image by Richard Avedon that Andy Warhol used for his portraits of Bardot, however it is not my intention to copy Warhol's version. Sure, there are similarities, obviously, but I'm much more liberal with color in my version.

"Brigitte"
Acrylic & Silk Screen Ink on Canvas
12" x 12"
(2010)

As a pop artist it's very difficult to get away from Warhol's influence. All I can do is keep on keepin' on until I develop and seek out my individual style. At least we have similar tastes. It makes me wonder though if I've been too heavily influenced by Warhol and his work over the last few years, or if it's just a coincidence that I would flock to similar imagery and style? Is his work just permanently etched in my brain to a fault? Silk screening in this manner of fine art painting has its stylistic limitations, however, it does offer a learning curve and other opportunities of exploration through the medium.

Aside all of that, I don't mean to sound like an arrogant bitch or anything, but I happen to like my versions more than Warhol's...

The Goon...

2010-10-20T22:08:00.000-05:00

For years I've wanted to paint a portrait of one of my favorite comedians and actors, Peter Sellers. From what I can remember Sellers was one of the first comedians I was ever exposed to, frequently watching his role as Inspector Clouseau in the 'Pink Panther' films, as well as his many roles in 'Dr. Strangelove.'

This is just the first in many I'm sure I'll paint over the course of my lifetime.

"Peter Sellers"
Acrylic & Silk Screen Ink on Canvas
12" x 12"
(2010)

I'm currently brainstorming some ideas for future exhibitions revolving around portraits of those who have had the biggest influence on my mind and spirit. Peter Sellers is one of those people. The man's work is genius...

I've also posted some new work on the website today. Feel free to check it out.

Hey, Let's Hear It For Paris.

2010-10-19T19:02:00.000-05:00

It's been a busy October to the extent that I've almost lost track where the month has gone. Posters are being printed, commissions being fulfilled, website being updated and flexing my writing skills a bit more with a new music blog.

Concurrently, I'm working on a joint ventures with a few people to help promote my art and put some extra coin in my pocket. For one such venture I've created a French themed mini series of paintings, such as these lovely Eiffel Tower pieces, that are hot off the easel as of today. These are hand painted/printed canvases in various colors marketed to those who love all things French and Pop. I also have in mind to do some spiffy portraits of Brigitte Bardot and perhaps a few others to round out the series.

Not sure how well these will go over just yet, but I hope they will find a good audience. Once I get the series and details down pat, I'll tell you where you'll be able to purchase these lovelies. In the meantime, if you are looking for French goodies, have a look at Frog du Jour's website (hint hint.)

In other news...

Just clippin' along the rails at the studio, attempting to maintain this one man ship. Lots of graphic design jobs have been coming in, lately, and seems there will likely be more on the way. I suppose I'll have to make further updates to the website soon. I'm also on schedule to submit the final piece of my grad school application to Tulane University within the next couple of months. Even though my deadline isn't until Feb. 1, 2011, I know time will get away from me if I'm not wary of the calendar. Building a new portfolio from scratch is a tedious and time consuming process, but I feel it will be rewarding with or without Tulane's acceptance.

Ok...back to the grind. Hope everyone is getting their fill of horror films this month! I've only begun.

Back On The Chain Gang...

2010-10-12T21:39:00.000-05:00

Happy to say I'll be curating another art exhibit next month at Studio 204 in Arlington. The exhibit, entitled "What's So Funny About Peace, Love & Understanding" will be a silk screen/letterpress poster art show celebrating the positive vibes of music, a show I've been looking forward to for months.

The show will feature several fantastic designers and printers who definitely carve up the design empire in Dallas. I'm very much looking forward to hanging work alongside them. For one, it feels weird not having my work in an exhibition every month of the year, and two, I'm really inspired by these artists. Perhaps I may be getting the better end of the deal?

I have my work cut out for me over the next few weeks, as I finalize plans for the show, not to mention printing the four colored advert poster you can see to the left. Additionally, I have four large commissions due by the end of the month. No. Sweat. There...

"Peace, Love & Understanding" will be unveiled Saturday, November 13th from 6-9pm. More details will be made available early next week. This poster, as well as numerous hand made prints will be available for purchase during this 'One Nite Only' event, just in time for the bourgeoning holiday season.

Rocket Identity...

2010-10-10T18:12:00.000-05:00

Occasionally, I get asked to flex my design skills for clients in need of interesting solutions to some of their creative issues, whether it be a simple logo design or a way to present their own art ideas in a concrete, 3-D form.

My neighbor, Trace, who is quite the renowned food stylist/photographer recently produced a series of really cool-looking retro space rockets, made entirely from old recycled car, coffee maker and lamp parts, many of which have quite the steam punk feel to them. I was asked by Trace to design and screen print a metal sign to be included with a display for his collection of rockets, a sign that was retro fitted inside of a vintage car emblem frame. Below is what I came up with:

In keeping with the retro motif I used a very 'classic car' style font, and designed a small rocket graphic to tack onto the end of the text, giving the design a sense of motion and flight. The black printing on the metal plate worked well to play off the cold monochromatic scheme of the display.

The design ended up being well-received, not only by Trace, but by those who came to check out the rockets during last night's premiere. It was a fun project to do, one that challenged me to approach design in a slightly different manner in an area I haven't touched upon before. I look forward to being able to have a crack at a project like this again in the near future.

A look at the final display which screams 'Flash Gordon'.

Jett Rink...

2010-10-07T15:41:00.000-05:00

Always wanted to do a painting of James Dean from the film "Giant", which is not only my favorite Dean film, but it's definitely in my top 20 of all time.

"Jett Rink"
Acrylic & Silk Screen Ink on Canvas
12" x 16"
(2010)

I look at this painting as a break-through piece for me, as my experiments with placement of the background color has opened a new door for how I want to execute future portraits. I try to maintain a very bold and vibrant color palette, as a contradiction to the subjects chosen.

I've always liked Warhol's block color placement for his early portraits, but as time progressed the color and brush work became very loose, which I enjoy even more. It's the sort of look I'm going for with my newer portraits, but with my personal touch, as it were.

I'm pretty proud of this one. Would be great to see this in an art museum sometime...

Firsties...

2010-10-06T22:30:00.000-05:00

The weather is turning cooler outside, which could mean one of two things for me: One) I could become more productive, or Two) become generally lazier and ready to hibernate. Well, the weather isn't that cold yet, so I figure I can squeeze in more painting time.

Finally attempted my first 'Audrey Hepburn' portrait this afternoon. It's a small 'un for starters. I suppose I haven't painted one before because I'm not the biggest of Audrey Hepburn fans (at least not as fanatical as I am about Marilyn.) But, I figure I'd give her a go, since I'm drawn to music and film celebrities of their era.

"Audrey Hepburn"
Acrylic & Silk Screen Ink on Canvas
10" x 10"
(2010)

Overall, I'm pretty happy with the final product. Initially, the piece was going to look fairly basic, with just solid blocks of color, but decided to play around with a more 'painterly' looking background after the fact. It was a good piece to experiment with, as well as having another piece for back stock.

Another 'first' I'll be painting this week is a portrait of actor Peter Sellers, a piece I've been wanting to do for years, but had yet to find the right image. I'll be sure to post that piece when it's complete. Additionally, I have a lot more paintings to tackle over the next couple of weeks, not to mention getting more of my grad school portfolio together. (I have until Feb. 1, 2011 to deliver that, but I know that date will be here before I know it!) Thankfully, the rest of 2010 will round out nicely with art production, something I am truly thankful for.

In other news...

I've been spending a good amount of time, since moving into the new studio space, enjoying some much-needed down time, decompressing and getting used to the new vibes. I've been working at an 'as needed' basis for the last few weeks, which has been nice, but I will admit it is easy to get incredibly lazy. I'm working hard to keep myself motivated, focused and figuring out what direction to take myself (and my work) in. The challenge is having too many interests when it comes to art, spreading myself thin with every base I want to cover. I've always thought it's best to be great at one thing, rather than be mediocre in a bunch of things. Painting will always win out for my top passion, but trying to find ways to squeeze in my love for printmaking, too. Hopefully, if accepted into grad school I'll be able to weld the two passions together. Now, I don't know if I'll ever get to be the musician I've always wanted to be, but I at least have a decent record collection to play air guitar to...

You Know It And I Know It...

2010-10-03T18:28:00.000-05:00

Going strong for six years and counting.

Cool Weather and Hot Scooters

2010-09-27T00:54:00.001-05:00

What a way to spend a lazy Sunday afternoon, sipping black and tans at my favorite Irish pub, catching up with old friends, and hanging out with a few local scooterists as the first week of the fall season graces us with its presence.

Today was the first day I took Red (my trusty Vespa) out to enjoy some lovely fall weather, the first real ride since my wipe out several months back. Despite feeling extra cautious and somewhat extra sensitive to the bumps and craters in the street I throughly enjoyed the ride. Of course, when I reached my destination (The Dubliner on Lower Greenville in Dallas) I was relieved and excited to see the usual 'scooter' suspects had already arrived with pint glasses in hand. I'm not sure if anyone noticed the lovely scars Red now bares from our wee crash, it but didn't seem like anyone cared, either. Red and I were just happy to be out and about among great company.

While I enjoyed some titillating conversation and liquid heaven I took it upon myself to dust off the old iPhone and take a few scooter photos of my friend Greg Berg's 1964 Vespa, a real non-legged Italian beauty if I've ever seen one. His vintage beauty is an attractive aircraft gray that definitely catches eyes and turns heads from all around on a daily basis. (Oh, but how I tease you with just a peek at its bare essentials!)

I still wish modern scooter design looked like this, but understand that modern convenience doesn't always accommodate vintage design. I have similar feelings about American cars from the 1930s-1960s, the peek era of American automobile design. If car manufacturers would figure out a way to include modern convenience with vintage automobile design I bet there would be a resurgence in car buying that would re-ignite our love affair with cars.

Just look at those sweeping curves, the minimal gauge design and chrome in all the right places. I know Red would be jealous if I owned a vintage Vespa, but could you blame me? Hell, I'm sure any woman would be jealous of my love affair with vintage vehicles, period. One of these days, I'll own a sweet 1960s Vespa and maybe a vintage Volkswagen again, too.

I can't really stress how much I enjoyed the weather and the scooter ride. I'm bummed that I missed out on some killer beach activity this past summer, but the cooler weather that is now in place will more than make up for it, I think. The cooler weather is definitely a blessing, giving me an excuse to further shake my nerves and ride around town again. Perhaps there will be some more Vespa iPhone photography produced while I'm at it...

New Work at Veritas Wine Room

2010-09-25T11:20:00.000-05:00

Not a whole lot to report for today's post, but just wanted to let the readers out there know that I have some additional work on display at Veritas Wine Room here in Dallas. Along with some of the rarely seen "Buy War Bonds" series and classic film icon pieces, my latest Jimi Hendrix, Eric Clapton and Willie Nelson pieces are on display.

The 'Willie Nelson' piece looks great hanging on the back wall of the wine room, just the right kind of place to get some additional exposure.

In other brief news...

I'll be at The Cameron Gallery today from about 4-8pm during the DADA (Dallas Art Dealers Association) Art Walk. Of course, it's obviously that time of year again because it's raining, as it does every year. Hopefully, that won't stop anyone from coming by and seeing some of the new works I'll have at the gallery, alongside new Cameron Gallery featured artist, Rick Griggs. Rick is a culinary and pastry chef veteran as well as an incredibly talented abstract painter. His debut exhibition at The Cameron Gallery opens Saturday, October 16th.

I thought this would also be a good time to plug my new blog adventure, "Classic Waxxx", a blog devoted to rediscovering long forgotten vinyl treasures on 33, 45 and 78 rpm records. For the time being I'll post new reviews every Friday, and will eventually move to two times a week. Additionally, you can follow my Classic Waxxx Twitter for other vinyl goodies.

Hope everyone is enjoying the wonderful start to the fall season!

Going Back To The Well and Other Goodies...

2010-09-23T14:53:00.004-05:00

Once again my obsession for Marilyn Monroe has reared its ugly head. Who knows what it is about this woman that still inspires artists and everyday Joes? Maybe it's ingrained in our subconscious to be attracted to beautiful and tragic types? Maybe we have allowed western culture to crown Ms. Monroe the ultimate sex symbol? Or maybe, we have Warhol to blame for our continued fascination with her? Regardless, images of her continue to attract collectors and fans, which makes for a no-brainer for modern, business-oriented artist like myself.

"Marilyn (After Stern)"
Acrylic & Silk Screen on Canvas
12" x 12" ea.
(2010)

This image of Marilyn Monroe, taken by famed photographer Bert Stern, is one of the last images ever captured of Monroe on film, sessions now known as 'The Last Sitting'. I've always been drawn to the loaded, yet seemingly hollow look of this image. I've used it in various past works, but these two executions have finally captured the quality I've been looking for.

My recent Marilyn paintings, inspired by Warhol needless to say, are very different from the quality of Warhol's 'Marilyn' paintings. Warhol's images of his subjects were of high contrast, where as mine still show the subtle lights and darks within the halftone pattern, a technique I've been experimenting with more and more in my work.

I don't plan on over-saturating my own market with thousands of paintings of the same Marilyn Monroe image like Warhol, but I am using them to build up a bit of a backlog that I have neglected to maintain the last few years. However, the last six years of my working with art galleries have been my 'swimming lesson', as Marcel Duchamp once said about his early art career.

There are indeed some new things in the works within the studio, which I hope to share relatively soon. There is also a new level of seriousness I'm working to achieve with my work, and I hope that my many years of visual experimentation will all come together within this body of new work. Pop Art will continue to hold a valuable place in my heart. Only time will tell where it will take me in my art career, but I feel now is the time to really explore what lies beneath the surface.

In other news...

Aside from being an artist, I'm quite the music fan and aspiring writer, which I've combined those two loves into a new music blog called "Classic Waxxx". My new blog was created to discover and re-discover old and long forgotten music classics, most notably music on 33, 45 and 78 RPM vinyl format. There is a lot of music out there not available on any other format than vinyl, a format that was meant for recorded music. Of course, there is a lot of debate between the sound quality of digital music, like CDs and mp3 music files, and that of vinyl. I'm here to say that nothing will sounds as warm and inviting as a vinyl record. Believe me, I'm no band wagon hopper for vinyl. I've been listening and collecting vinyl records since I was a wee child, and there has always been something comforting and nostalgic about the 'pops' and 'crackles' a vinyl record offers. Essentially, I think of this new blog adventure as 'porn for your ears', hence the three Xs in the title. My goal, hopefully, will be to not only turn myself onto new and forgotten classics, but to turn you readers onto something new and refreshing, as well. The blog is live now, but look for the first review to be posted tomorrow. At first, new posts will go live every Friday. Check it out here!

My New Assistant...

2010-09-17T19:23:00.003-05:00

Every artist needs a studio companion to either A) keep him/her on their toes, B) keep them company, or C) both. After loosing my previous companion, Jazz, after 18 long and entertaining years, I was finally ready to adopt a new friend to keep me company and make the studio a much more pleasant and lively atmosphere.

Without any further ado, I like for everyone to meet Turkish:

She's a gray and sand colored tabby, with similar markings as Jazz. She's just as sweet and laid back, and we've been bonding quite well today. I know we'll be good company for each other. So, if you happen to stop by the studio in person be sure to say "hello."

For those who are wondering about the name, I can give my friend Bryan credit for naming her. She's named after Jason Statham's character (Turkish) from the film "Snatch" (directed by Guy Ritchie.) Turkish is just a bad ass sounding name for a bad ass cat. Hey, who knows? I may be doing a silk screened print of the two 'Turks' sometime in the near future.

Although, Jazz will never be 'replaced', life does go on and her spirit will forever remain. Turkish already reminds me of Jazz in numerous ways, so perhaps our pairing was meant to be.

Now, I must prepare myself to start finding cat hair in and on everything, including my art, for that will definitely be the mark of a true studio assistant...

Commissions Abound...

2010-09-17T13:26:00.005-05:00

Somehow, I've magically found some new inspiration and motivation to crank out tons of work, especially for clients who have already paid me money for paintings. It's funny how money and deadlines become great motivators.

First up is piece number 2 of my 'Clapton is God' theme, only this time I have painted Clapton as an older and more refined musician in a style reminiscent of acclaimed poster artist Justin Hampton (which, I might add, was COMPLETELY by accident. Must of been thinking of Hampton subconsciously during the making of this painting.)

"Clapton is God II"

Acrylic and Silk Screen on Canvas

24" x 30"

(2010)

The image of Clapton is painted by hand (took two attempts, unfortunately) while the 'Clapton is God' text is hand silk screened. The generous commission is for new collectors who are celebrating their 8th wedding anniversary this month. I must say it's a pretty fabulous anniversary gift.

("Clapton is God" Detail)

Last, but not least on the commission chopping block, is a custom painting of Fabulous Thunderbirds' frontman Kim Wilson. At first, the name didn't register with me until I learned of his involvement with the Fabulous T-Birds. I remembered seeing them play live when I was 10 or 11, during my first concert-going experience. In the same day, I also saw Buddy Guy, B.B. King, Robert Craw and Dr. John. Thinking back on that experience was also good motivation and fuel to produce this piece for a new collector.

"Kim Wilson"

Acrylic & Silk Screen on Canvas

12" x 12"

(2010)

I'm extremely thankful for the opportunities I get for commissioned paintings. Not only does it help to keep the bills paid, but it's flattering to know your work is wanted and welcomed into the hearts and homes of fellow art lovers. I couldn't ask for a better job, honestly.

In other news...

I'm already working on paintings for my next art exhibit at The Cameron Gallery, however it is easily about 9-12 months away. Working on this body of work well in advance is forcing myself to learn a new level of patience and not create everything the month before work goes on walls. Deciding to become a full time artist certainly has helped me develop a new level of focus for my work. Even though I've been showing work in galleries for the past six years, I feel as though this summer has marked a new beginning in my career and the direction my work will go in. I will maintain a 'pop' aesthetic to much of my future paintings, but I'll be shedding many of the comforts I have developed for new territory and self-exploration. I look forward to sharing this new direction as I get this new work under my belt.

Well, it's Friday... the work is done and so now it is time to go play. Ciao!

Elvis Is In Our Jeans...

2010-09-14T23:33:00.003-05:00

...As I once heard a song suggest. (For the life of me I don't remember what band sang that song. I think I heard it on an episode of 'Beavis & Butthead' some years ago.)

I hate to waste canvas so I had a little fun combining my latest 'Porn Star Girlfriend' imagery and my 'Love Me Tender' Elvis portrait into one fun and unique painting. Sort of looks like a monoprint that a print studio would create as a means of testing out colors or fixing mistakes.

"The Girls Love Elvis"

Acrylic & Silk Screen on Canvas

12" x 12"

(2010)

Don't have any immediate plans for this piece as of yet. I'm certainly up to any monetary offers that might come my way, though...

That does it for me for the day. No more projects or grad school application stuff I care to deal with for the rest of the evening, so I think I'll relax by watching some old re-runs of The X-Files before going to bed. It's a good thing I don't get too many weird dreams from watching this stuff before I hit the hay.

Whatever Happened to "Ooh La La" and All That Stuff?

2010-09-13T17:48:00.007-05:00

A mind clouded with work, girls and anxiety can make for a wealth of creativity or it can just simply shoot you in the foot. Fortunately for me, today has proved to be a productive one, even though I might be neglecting other important projects for this afternoon's schedule. Hey, what can I say? Sometimes I simply have to scribble the pen on a piece of paper to get the ink working (take that however you may wish.) In other words, there are times when I'm forced to work on something for me in order to work on something for someoneelse. Call it a selfish act, but that's how I recharge the batteries, so to speak.

This afternoon was spent working on the eighth installment of my 'Porn Star Girlfriend' series, creating versions 'A' and 'B', respectively. (Part 'B' is still in the drying phase at the time of this post, so I'm only going to show off version 'A'.)

"Porn Star Girlfriend No.8" (Version A)

Acrylic & Silk Screen Ink on Canvas

12" x 16"

(2010)

Funny enough, I spent more time designing the background layout than it took to physically paint and silk screen the canvas. As time goes on, these pieces will get more elaborate, larger and more detailed.

"Porn Star Girlfriend No. 8A" Detail

Initially, I wanted these pieces to be small, relatively magazine size given the printed material look, and to give the nod to 'personals' adverts found in the backs of adult magazines. However, as I get more into this series the idea of these pieces created in a larger-than-life format would look spectacular.

"Porn Star Girlfriend No. 8A" Detail

I've mentioned before I originally started this series back in 2008. It's a series I'm finally coming back around to after a long hiatus, and I'm anxious to see what unfolds as the series progresses. I think this series will make for an impressive installation keeping the images the same size, as well as keeping the print colors at a minimum of two. Repetition of imagery and color is still a powerful visual concept, as Andy Warhol proved time and time again. (Notice the 'nod' to Warhol I give in the detail image above?) What makes this series a little different than something Warhol might have done is that each pinup girl is unique, and rarely will the same image be repeated within the series. This one is an exception, as I wanted to play around with different color schemes. (You can see 'Version B' on the website.) Images and bits from the background, however, will find repetition within the other pinups.

"Porn Star Girlfriend No.8A" Detail

What I'm really excited about with this series (aside from the obvious imagery) is that this will be the first series that has a planned sequencing of more than 50. I'm sure that won't sound too exciting to most, but it is for me as I rarely go above 10 pieces within a given series. I typically like to keep my numbers small and not oversaturate my own market. Call it the businessman in me, but there is something to be said about exclusivity. The series is meant to be installed on a very large wall space, so depending on where I find that wall space will eventually depend on the final number in the series. I'd like to shoot for 100, but I'm not making any promises.

It's a lot of fun to work within a series. I don't create many stand alone pieces, but I should embrace that concept in between working on my 'PSG' series. I have some other ideas floating around concerning some interesting one-off works of art. In the meantime, perhaps I should get back to some of those other important projects!?! I still have deadlines in between the fun stuff.

So You Want To Be A Rock N' Roll Star

2010-09-12T13:30:00.003-05:00

My talented friend Kat has done it once again. It's definitely safe to say her heart and soul is in music!

Thought I'd share a really kick ass custom guitar strap her and her father made me. Her dad did all of the leather work while she did all of the custom painting.

The guitar straps are made for 5-6oz leather with an over-the-shoulder underlining of pigskin for comfort. Do me and other guitar admirers a favor: don't put a cheap and crappy guitar strap on a several thousand dollar piece of art! Go with the best. However, I'm sure this awesome nod to the Grateful Dead would look best on a Gibson Les Paul guitar, but works just as well on my Joe Strummer Telecaster!

To check out more of Kat's custom straps, take a gander at her online photo gallery here. For more info on obtaining your very own custom guitar strap, check out Grassburr Leather Works.

Love Me Tender

2010-09-12T13:02:00.004-05:00

It may be sacrilege to say I'm not a big Elvis Presley fan, but regardless of my level of fanaticism, I still think Elvis is one of the most important and influential figures in rock n' roll history. Like John Lennon, I feel Elvis's best work was recorded on the Sun Records label. His cover of Arthur Crudup's "That's Alright" is definitely my all time favorite Elvis recording, the one that is considered to have introduced blues music to white audiences and was ushered in to the rock n' roll mainstream. Thank goodness for that.

'Hot of the presses' is my latest Elvis painting, drawing me out of my typical square format paintings. I don't know what was going through Elvis's mind at the time this image of him was taken, but perhaps it is an early indicator of how lonely his life in the public eye ended up being. Whatever the case may be you can certainly see an innocence in his eyes.

"Love Me Tender I"

Acrylic & Silk Screen on Canvas

12" x 16"

(2010)

Will probably paint a few other editions of this image, and possibly play around with different background designs and colors, or until I run out of canvas. With any luck, you may see some of them in galleries.

The various portraits and other prints I've been working on lately all equal up to individual studies of much bigger work I plan to start working on next month, an ambitious project that will take some time to complete. Eventually, I hope I'll get to exhibit the new work in the near future. Would love to shed some light on the project, but don't want to my secrets just yet. All I can say is "stay tuned"...

'Mad Men' Inspired Design

2010-09-11T11:02:00.004-05:00

Believe it or not, I'm a huge fan of the television show "Mad Men". Not only am I drawn to the characters and the story development, the over all production design is what keeps me coming back for more.

In the midst of designing some new prints and paintings I continued to play around with more logo designs for the studio. This latest version is my take on a 1960s Manhattan style logo.

I would love to see this on a side of a sky scraper one day, or possibly on a posh Mid-Century designed office. Who knows...it may happen.

Think I may have to redo the layout of my blog now.

On a side note, this design couldn't have been designed at a more ironic time, given that today marks the 9th anniversary of the Twin Towers collapse. Nine years later and it still feels like it happened yesterday. I liken the moment to my grandparent's generation of Pearl Harbor, and can somewhat understand what that day must have been like. I hope everyone will take a moment to remember those who lost their lives that day, and those who have made significant sacrifices since. It is certainly a day that will live in infamy.

"Scoundrel? Scoundrel? I Like The Sound of That..."

2010-09-09T22:39:00.005-05:00

So, I'm taking a break from grad school applications this evening and updating the website and such. Haven't updated it in a few weeks, so thought it would be a good opportunity to add more work. Still need to build the archive page, but I have time. Relaunched the Etsy storefront, too. As much as I liked the format of the old web store, it wasn't paying the bills. Anyhoo, the Etsy shop is up and running again, where you guys will be able to acquire my limited edition silk screen prints as they become available.

Since I liked the first Han Solo piece I painted for my friend I decided to paint one for myself. I'm liking the natural progression these silk screened portraits are taking. I'm about to finish up a large Eric Clapton piece for a client in the next couple of days, but in the meantime, feast your eyes on this latest Han Solo painting.

"Han Solo II"

Acrylic & Silk Screen on Canvas

12" x 12"

(2010)

Well, the grad school applications won't fill themselves out, so it's back to the grind. I hope all my readers out there will keep their fingers crossed for me come March, when the schools will make their choices for Fall 2011. Will let everyone know what happens in the meantime.

Thanks for everyone's continued support!

Business As Usual (Still)...

2010-09-06T23:37:00.005-05:00

It's the end of Labor Day weekend, which usually signals the end of Summer for most of us in America, unless you live in a tropical climate, then every day of the year feels like Summer. But, as most friends and families are grilling up a BBQ storm, and the beer is a-flowing, some of us still toil away at our jobs...like me. Between stressing out over starting grad school applications and working on gig/show poster designs, I managed to completely side step this entire Labor Day holiday by working on a few paintings, too.

I had been promising for months, to a good friend of mine, something really special from the studio vaults. As it turned out to be his birthday this weekend I figured it was a perfect time to present him with that surprise, before he started to think I was full of BS.

"Han Solo"

Acrylic & Silk Screen on Canvas

12" x 12"

(2010)

My friend happens to be a HUGE Star Wars fan, like myself. Even more so, he's a GIANT Han Solo nerd. What could be cooler than an original Han Solo painting? My thoughts exactly. I painted my signature colored background with my trusty printmakers brayer and silk screened the image of Han Solo on top in black. If you were to get a closer inspection you can see areas that didn't print clearly, much like in the way of a letterpress poster. I find a painting to be 'finished' once I've achieved that look and feel of distressed printed ephemera. It ended up being another painting I didn't really want to part with after it was complete, but hey...it's not like I can't make another one, right?

"Roy Orbison III"

Acrylic & Silk Screen on Canvas

12" x 12"

(2010)

For kicks I painted a few more Roy Orbison pieces and replicated a similar look to the one printed in my Stango Collaboration piece (see previous post.) Again, I used orange and blue ink to silk screen ol' Roy on top of a multi-colored background. The image looks sort of fuzzy due to the slight '3-D' shift/layering of the printed color. I would love to see this find its way into a gallery soon, or better still, a collector's home. If not, I know it'll look great on the walls of the studio.

All in all, Labor Day weekend wasn't a total loss. The weather was nice in Dallas for the first time in months, I drank plenty of adult libation and made lots of progress in studio work. "Cheers" to all you laborers out there, and may you find the patience to make it to the next major holiday...Thanksgiving!

Superman Was A Rock N' Rolla'

2010-08-31T19:16:00.007-05:00

When I was a kid, for some reason I thought Roy Orbison was actually Clark Kent/Superman, before I really knew who George Washington was. Obviously, it was because of those glasses...Superman was hiding his real identity. C'mon, Superman wasn't mild-manned reporter Clark Kent by day, he was Roy Orbison: Rock Star...right?

Another funny thing about Roy Orbison was I thought I was related to him, because he and my dad share the same first name, much like in the way I thought my grandmother was Patsy Cline, because my dad's mom is named Patsy. Who knew there was more than one Roy or Patsy in the world?!? The ideals of a four year old...I'd like to think my dad was named after Roy Orbison (aka Superman) and I happen to have that as my middle name because of it. Perhaps I'll roll with that story for future reference.

Fast forward to 2010. I still think Roy Orbison is actually the alter ego of Superman and vice versa. Which brings me to this completed artist collaboration piece with fellow pop artist, John Stango. Stango hails from PA, and is a well-known pop artist in his own right, with numerous collectors throughout the world. I was fortunate enough to be asked by him to work on a collaboration piece together, and after much time and deliberation on what I was going to paint for my part, I'm happy to have our first collaboration piece on the books.

Initially, I had no idea John was sending me a painting of Superman and Sgt. Rock. It was a nice surprise to unroll the canvas and see one of my childhood heroes in the 'flesh'. Like me, John works very fast, however, I'm slightly embarrassed to say his portion of the collaboration is over a year old! That's how long this project has taken me to complete, as I had numerous other projects and obligations get in the way of its completion (namely a day job and gallery showings.) But, after moving into a new studio space recently, and having the time and flexibility in my work schedule to tackle old and unfinished projects, I'm hoping this collaboration is the first of many.

(Sgt. Rock detail)

It's funny how it came to be that I would choose Roy Orbison to include as my part of the collaboration. Originally, I thought my silk screen of Elizabeth Taylor and Paul Newman from 'Cat On A Hot Tin Roof' would be used, but as it turned out, the image of Roy Orbison I used for a previous commission complimented John's image of Superman. It was only then did I remember my connection between Roy Orbsion and Superman as a kid. Interesting how you are reminded of such things.

(Orbison/Superman detail)

I used two separate colors to silk screen in Roy Orbison for the painting, blue and orange. The two colors overlap well, giving an interesting contrast against the rest of the bold colors. I finished up the painting by uniting both images with a red wash in between the repeated image of Roy Orbison, giving the overall image sort of a billboard look and feel.

The overall size of the painting is large, measuring about 48" x 50" before making its way onto a frame. Last, but not least, is to sign the work and ship it back to John, as I'm sure he'll have no trouble finding some wall space in one of his galleries. I'm sure it'll look great in his home or studio, as well. I should probably keep a photocopy of it, though...

This was a fantastic project to work on, especially with a respected artist such as John Stango. Our tastes and influences in pop culture and art run neck-in-neck, and I hope this collaboration will continue for years to come. Who knows, the public may see more of these in the near future.

For more information about John Stango and his work, check out his website.

Tear It Down And Build It Back Up

2010-08-27T22:18:00.002-05:00

Well, I finally did it. I've completely dismantled the studio and will be spending the next few days getting it all back together. I've got my work tables set up, my silk screening areas just about complete, and I even have a new screen wash out sink to install and set up. But, not before tracking down some important art supplies I seem to have misplaced. Never fails...I always lose something during a move, even though I know I grabbed everything.

The space is really nice, probably just the right amount of space, I might add. I have plenty of room to live and work, and I couldn't have asked for a better time. With the amount of work picking up, it's about time I have a place to call my own, and have the freedom to work at any hour of the day.

I would post pics of the studio space, but I'm not quite ready for that just yet. It may take several weeks of fine tuning, but I may share when the time is right.

Well, time to continue working. Moving during the middle of the work week gets you plenty behind on deadlines...